I say `taking back’, because it can be too often that we have given it away. To others, to circumstances, to fears. And sometimes without even being aware that that is why we feel the way we do. I am musing on this because I watch myself, sometimes undulating like the waves, feeling strong, and then suddenly, even if for only a moment, powerless. I remind myself, we are never truly powerless. Even though it can certainly feel that way at times. It’s another life lesson – taking back our power, and remembering that we always have the choice to do so. If we feel we can’t? Well, as one of my favorite people, Louise Hay, has always said, “It’s only a thought, and a thought can be changed.”
Here’s another woman’s thought about that. Susan Polis Schultz says, “This life is yours. Take the power to choose what you want to do and do it well. Take the power to love what you want in life and love it honestly. Take the power to walk in the forest and be a part of nature. Take the power to control your own life. No one else can do it for you. Take the power to make your life happy.”
Happiness is also a choice, much as taking back our power is and they are inexorably intertwined. When we feel in control of our lives, we tend to be happy. We are not living according to the fear of others’ expectations (be they past or present), or of what will happen next. We are not filled with doubts.
This is our time on this planet. We can live in our space and our truth, and know what’s important to us. We have the right to pursue and find what brings happiness and tranquility into our lives. It may be a journey, but I do believe we can be there in this moment. We can live lighter and more freely, more optimistically.
In addition to my classic A.A. Milne Winnie the Pooh books, I also have a book by Benjamin Hoff titled The Tao of Pooh in which we realize what a zen-like – and therefore, powerful – character Winnie the Pooh really is.
In the wise words of author A.A. Milne,
“What day is it?”
It’s today,” squeaked Piglet.
My favorite day,” said Pooh.”
And that’s how it’s done.
This is an amazing historical novel, written in first person by a young woman, who, at the opening of the book, is making her entrance at the Sénat Bal in Paris, autumn of 1882. She is “La Genérale”, Lilliet Berne, famed opera singer and a falcon soprano. She is approached by a novelist who dares to get her attention, and asks her to listen to his proposition – a story he has in his possession, to which a score will be written by a promising composer, an original role created just for her. Such a thing is the apex of an opera’s singer career. And then Lilliet hears how much of the story is her own past life, which, if it came to light, would destroy her career. So few know her past; who would want to see her fall? And so begins our story.




