What I’ve Been Reading …

Or perhaps I should say what I’ve been reading, but haven’t been blogging about. It seems there are just times when blogging about books isn’t as compelling as reading them and moving on to the next one. Here’s my book list over the last few months from the most recent back …

Milkweed by Jerry Spinelli – what a wonderful, extraordinarily well-written YA novel.  Truly this book deserves to be written about at great length, (and I’m sure has been elsewhere on the web), but as this being only the second of Jerry Spinelli’s books I’ve read, I must say how impressed I am. Told in the first person by a child who only knows his name to be stop thief, the tale takes place in 1939 during the Nazi occupation of Warsaw. How the lives of everyone changed as the Jackboots settled in the city, as Jews and others were herded into the newly-created ghetto and later forced onto trains, as people slowly starved, as smugglers were hung, and friends made and lost is what the author describes. Stop thief goes through many transformations during this time, including being given a history as a gypsy to try and protect him, and observes the horrors of the Nazi occupation. Yet somehow, these horrors became an integral part of everyday life in ways I cannot imagine, and the story is seamlessly told through the eyes of this child. Milkweed is so different from The Book Thief, and seemed so much more accessible to me, for lack of a better word. I highly recommend it.

Bunnicula, The Howliday Inn and The Celery Stalks at Midnight by James Howe (and Deborah Howe in Bunnicula only) – I had expected more of Bunnicula, the vampire bunny, but in these three consecutive middle grade mysteries, each becomes better than the previous with funny dog and cat characters trying to solve them. The best of the three for me was The Howliday Inn, as it was the most complex and the humor was getting better, too.

Great Joy – Kate DiCamillo and illustrated by Bagram Ibatoulline – I picked this picture book up for the magnificent illustrations, but was disappointed in the story. And I really do enjoy DiCamillo’s writing. Something was missing for me, but the illos were fabulous.

Criss Cross by Lynne Rae Perkins – this YA novel is a Newbery winner. For me, it wasn’t as absorbing as many of the other YA novels I’ve been reading, but it was a very true-to-life depiction of  that awkward time when kids grow into adolescents. It takes place in the 60’s, and shows the growth of several young boys and girls and their relationships. Not heavy on plot, but nice – and nicely drawn –  characters.

Wolves in the Walls by Neil Gaiman – this was unexpected as I hadn’t realized it would be a graphic novel/picture book! For some reason I had expected a YA novel like The Graveyard Book (yet to be read). However, I loved the story and the fabulous illustrations by Dave McKean, who also did Coraline, and which really make this book come alive.

Black and Blue by Anna Quindlen – a story of an abused woman, who finally reaches out to get help to save her life, taking her son with her as well. This help takes place in being given another identity and being relocated in another part of the country by a little publicized agency who specializes in helping abused women. However, Fran Benedetto cannot escape her police officer husband forever as he wants his 10 year old son back, and somewhere, in an untold story behind hers, is searching for both of them. This book is hard to put down, and recounts, through her eyes, the “accidents” that she can no longer bear nor justify to others, and her new life which almost seems normal. The abuse is harrowing and painful to read at times, and her new life is always overshadowed for the reader with the anxiety of Bobby finding her. A good read.

Heaven Eyes by David Almond – a YA novel by one of my favorite authors. Almond’s characters and plots are so uniquely his own. There is a magic threading through all of his stories which happens to resonate with something in me every time without fail. Heaven Eyes is a child who is living with an elderly man who saved her from the muck outside a deserted industrial site. Three runaways from an orphanage up the river land on the edge of the brackish mud adjacent to where she lives, and their intertwining stories unfold slowly to reveal a deeply disturbed man and a child who’s been given a history not based in reality. The three orphans are well-drawn characters in their own right with their own history, and find drama and revelation in their encounter with Heaven Eyes and Grandpa. Ultimately, they  must decide to stay in an unreal environment or hope to return to the world from which they came, bringing Heaven Eyes and her spirituality with them. A Fantastic read, (and I’m truly not doing it justice here.)

No Small Thing by Natalie Ghent – a middle-grade novel about 3 children who acquire an unwanted pony during very rough times for their family. Their mother tries to keep it together after their father walked out on them, profoundly affecting them all. It is a story in part about the responsibilities of owning a pet, but also of the children’s relationships, caring for one another and managing their lives together. Some good spots, but for me, was just OK.

The Lost Symbol by Dan Brown

Hunting Ground by Patricia Briggs – from the Alpha and Omega Series. Fabulous. The first Briggs novel I read was Moon Called, and this is a storyteller whose books I cannot put down!

During this time I am reading one or more metaphysical books on an ongoing basis, but that, for another time …

Quote from Gilda Radner

While searching for a suitable quote for a job I was working on, I came across the following. As an aspiring author and illustrator of children’s books and a fan, it struck a chord with me.

I always found Gilda Radner to be a fabulous and funny comedienne. She died too young at 42 from ovarian cancer.

“I wanted a perfect ending. Now I’ve learned, the hard way, that some poems don’t rhyme, and some stories don’t have a clear beginning, middle, and end. Life is about not knowing, having to change, taking the moment and making the best of it, without knowing what’s going to happen next.”
~Gilda Radner

Love Is All You Need

Through a long, circuitous route, I found such a wonderful video …

You know sometimes how your friend e-mails you something cool? Well, my friend Kathy in Maryland sent me this great quote from the movie Akeelah and the Bee. She didn’t know where it came from, so I looked it up. The quote is from the very well-known and wonderful metaphysical writer and teacher, Marianne Williamson. I have two books of hers, A Woman’s Worth and A Return to Love. As it turns out, the quote is from the latter, called Everyday Grace, right there on her website. (Go check it out – it’s perfect.)

OK, so now I’m on her site, which I love … I scroll down and there’s this video … after watching it, I go to the “offical” Starbucks site. What I learn is that, on December 7th, 2009 at 1:30 pm GMT, Starbucks invited musicians from all over the world to sing together at the same time to raise awareness for AIDS in Africa. In that one moment, musicians from 156 countries played “All You Need is Love” together.  Watch the video as musicians from all around the world come together and share this song. Starbucks has raised enough funds for over 14 million days worth of medicine – as of this date – for those suffering with AIDS.

p.s. Now does this remind me of my favorite guy, Matt, who danced all over the world just to bring people together through dance? Yes, it does, and if you haven’t yet gotten your fill of all those warm and fuzzy feelings, go visit Where the Hell is Matt? and watch Dancing 2008. It still brings tears to my eyes.

Scarecrow’s Dance – Jane Yolen and Bagram Ibatoulline

When I first planned on buying this book, I admit it was largely for the magnificent illustrations of Bagram Ibatoulline. I first came across Scarecrow’s Dance as a yet-unbound copy and part of an illustrating exercise at the NJ SCBWI Illustrators’ Intensive in 2008.  I was, and still am, utterly entranced by the rich, yet soft, colors at dusk, and the beauty Ibatoulline has created in the cornfields and farm setting. If you are an illustrator or one who appreciates excellence in illustration, this book is worth the cost of that alone. And the story, in the brief exposure I had to it at that time, was so touching as to bring me to tears, and it still does.

I eagerly awaited it’s publication with my primary interest in the art. It finally arrived so I could appreciate both story and text. Jane Yolen is the author of Scarecrow’s Dance, and recipient of the Caldecott Medal for Owl Moon, and many, many other awards in her rich and extensive writing career for children. As I examined this book more closely, several thoughts did cross my mind … as beautiful as I found the illustrations, would they appeal to the target age group, 4 – 8? Would a child that age lose interest in the dusky light’s subtlety on page after page? Would a barn described “as red as blood” be disturbing to a small child? Might some parents find both a child and scarecrow kneeling and praying to God a predominantly Christian message they may not wish to read to their child in a picture book story?

I don’t actually know the answers to these. I found the overriding message to be of the greatest importance, and that is finding who we are and knowing our place in the world to be unique and one of value. I think a parent reading this story to a child with the feeling Yolen has put into it, will easily impart that as the primary message, and it is very beautifully done in both word and image.

I visited Jane Yolen’s web site, and found a wonderful section just for us writers – lots of sound advice to guide us on our journey to becoming not just published, but still sane when we get there. Kathy Temean, the RA of NJ SCBWI, also posted 20 Yolen writing tips as transcribed from the recent SCBWI Conference in New York. All great stuff.

And then, Bagram Ibatoulline. I kiss the ground this illustrator walks on. His work is simply magnificent. In addition to Scarecrow’s Dance, he has done two books by Kate DiCamillo, The Miraculous Journey of Edward Toulane and Great Joy. He illustrated a beautiful book, Crow Call, by Lois Lowry, The Serpent Came to Gloucester, and many, many others. Next time you’re in a bookstore, I highly recommend you take a look at Ibatoulline’s work.

The Lost Symbol – Dan Brown

I’m trying to figure out – why didn’t I love this book?

I thought The DaVinci Code was terrific as was Angels and Demons, yet something was missing in The Lost Code for me. What Katherine Solomon was studying and what “The Word” was really all about are right up my alley, but was there too much of it? Was there more information about the Freemasons and the Masonic symbolism than was needed to keep the plot moving briskly?

As always, once I was reading, it was hard to put down, but away from it, I didn’t feel like I couldn’t wait to get back to it! Most strange. I still say that Brown has an excellent way of jamming suspense and intrigue into a very short timeframe in which the novel takes place, and for that I enjoyed The Lost Symbol. But something wasn’t right.

While I never saw it coming who Mal’akh actually was, I also found him to be somewhat of a 2-dimensional character. Yes, he was a psychopath at this point, but I don’t know if I was given ample reason to understand how he got that crazy considering his background. I also don’t recall the interior dialogue of characters in italics in previous books, though I just may not be remembering, and I’m not sure that I liked it.

I was fascinated by the information about the Washington Monument and the surrounding buildings and their architecture, but did so much factual information pull me away from the storyline? Was there just too much? Next time I’m in D.C., I will look at the buildings described in a very different light, no doubt, but I think I was being overwhelmed with non-fiction in a fictional account. I believe Dan Brown has a message – an important message about man and his future – that he wants to share. I like the message. I guess I’m wondering if Brown is conveying it in the most accessible way.

I’m puzzled. But then, who am I to criticize? These are just my perceptions, and I wonder if others share them or feel differently.