Well, we see how much time has passed since that last post … so this will be a bit brief, as time, even to blog, is sometimes hard to find. Among the things I particularly enjoyed about this June Conference were several workshops which enriched my life as a children’s book writer and illustrator and added to my knowledge of craft, inspiration and
curiosity.
A workshop with the children’s book illustrator and author David Wiesner was terrific. He gave the opening keynote, but I also took a workshop with him titled “Reference Is Your Friend.” He’s a brilliant, phenomenally talented and very humble person, and listening to his process as he designs and works out his world-renowned books was fascinating. His recommendation for all the attendees if we would take away one thing? Draw from life.
A workshop by Donna Galanti on world-building was another favorite because no matter what type of novel we write, whether fantasy or one taking place in our town, we need to create a world for readers. Donna really broke it down, and also provided the rare handout so we could be listening to her presentation without our heads down scribbling notes frantically. She came up with so many useful points that I will refer to as I’m delving into my own novel.
There were more excellent ones, and one or two that were not so fabulous, but we only know by opening ourselves to the presentations and finding out what there is for us to learn. I’d also signed up for two one-on-one critiques for my WIP novel and another for a WIP picture book. One of these was outstanding and gave me some very good direction.
By the end of the first day of the conference, I didn’t see a soul who wasn’t looking a little wiped out, just from running from class to class and then to individual critiques and roundtables. Of course, I could go on. And on. But I’m going to stop here, with a suggestion for all of you who might be reading this and who are interested in writing and/or illustrating children’s books and not already a member of SCBWI.
Join. Join a whole bunch of other talented, dedicated people who want to reach out to children with amazing ideas and stories and visions. Join an organization whose sole existence is to provide everything you’d want to know and more about how to become a writer or illustrator for children. Become familiar with your local branch of SCBWI and see what they have to offer. In New Jersey, we have the annual June Conference, but also some smaller events during the year. You can learn more here on the SCBWI site and check out the chapter nearest you while you’re there.
Maybe I’ll see you at the conference!

The good news is that one agent confirmed my story is unique and not on the market, and she really liked the concept. The not-surprising news is I have a lot of work ahead of me, as in, now I have to write the rest of the book! This agent really paid attention when looking at my synopsis and the first 15 pages of my manuscript, and offered solid advice. I also came armed with lots of questions, and the ensuing discussion helped to highlight areas I need to focus on, existing concepts I might change to improve it, etc. So for that critique alone, the conference was worth it.
It wasn’t until college when I had an exceptional professor who taught Contemporary Civilization in the context of art, (I was at an art school), and for the first time someone teaching history had neurons in my brain firing rapidly. History suddenly came alive! Unfortunately, at that point, I had very little mental framework in my brain to hang it on. But I started to take an interest in the subject.
The two novels that recently afforded me that desire to delve into history were those by author Lisa See, Shanghai Girls and Dreams of Joy.The first novel begins when Shanghai was known as the Paris of Asia, and sisters May and Pearl were “beautiful girls”, models. With their father having lost all their money, the sisters, with their mother, must flee Shanghai as the Japanese invade China. The sisters were forced to emigrate to the United States in arranged marriages. From their interment on Angel’s Island to creating lives for themselves and their families in Los Angeles’ Chinatown, we follow the complex relationship of Pearl and May and Pearl’s daughter, Joy.
she is soon to be profoundly discouraged and isolated. Pearl leaves the states to search for her daughter, encountering endless roadblocks along the way. The backdrop of much of the novel is the time under Chairman Mao and The Great Leap Forward, a time of alleged progress in which a famine took the lives of millions of Chinese people. (