Children’s Book Glossary

Whether a newbie at children’s book writing learning basic terminology or someone more experienced, it always pays to have a handy reference for the many terms in the field that we encounter. Have you found yourself wondering … What is back matter? What’s the big deal about Bologna? (And no, it doesn’t have a first name.) And what really is a graphic novel?

Wonder no more! Simply refer to Harold Underdown’s all-encompassing glossary of publishing terms and jargon from his book, “The Complete Idiot’s Guide to Publishing Children’s Books.”  In addition, Underdown’s web site, The Purple Crayon, will provide a wealth of information for you on writing and publishing in this field.

It’s good to find concise information in one spot!

Reading Feeds Writing- Joseph Pullman

As a constant reader, I am aware of how reading enriches me in so many ways. But by reading books in the field for which I’m writing, I am doubly enriched as the story, style, and imagery of another writer fuels my imagination and even helps in problem solving. This may sound like the obvious, but I’ll give a concrete example of how reading feeds writing.

I just finished Joseph Pullman’s “His Dark Materials”. What a fabulous trilogy and a great read for anyone who has a bent for fantasy. Written for young adults, the series is incredibly complex with multiple sub-plots, not to mention layers of meaning. But my point is this.

I’m working on a children’s picture book manuscript which features both children and small forest-dwellers, (fairies, elves, gnomes). It was important that I make a clear differentiation between the children and the fairy folk and make the latter’s names consistent with each other so young readers wouldn’t be confused. While I was pondering this, I reflected on how well Joseph Pullman had done it.

The Gallivespians’ names were always preceded by Lord or Lady; the bears always had two names, such as Iorek Byrnison and had a Nordic feel to them; the witches, all women, also had first and last names, as in Serafina Pekkala; the Gyptians often had names that seemed to go together like Lord Faa or Farder Coram; the mulefas, (and why that was always italicized, I don’t know), had names that just fit with their species, such as Atala.

There was never any question which type of character you were reading about, and it was in thinking about how well Pullman had accomplished this that I resolved my dilemma. Now my children are clearly children, and my little forest-dwellers are clearly little forest-dwellers. Voila – how much better it reads!

Distractions of Life

Gypsy Rose in my last home - in the 1742 dining roomOne of the most frustrating things about returning from a writing conference is that it doesn’t seem to take long before the life we knew before we left seeps – or charges – back in. Two days at the Annual NJ SCBWI Conference were exciting, absorbing and brimming with promise for my future as a writer and illustrator. This had been preceded by hours and days of prep – creating a new illustration for my submitted MS, tighter editing, printing out first pages, readying a speed pitch and so on.

I came home exhausted but totally psyched. Unfortunately I was also hit the next day with a blistering sinus/migraine, but still I forged on and edited that story in the evening, cutting out another 90 words. The next day I wrote thank you’ s to the wonderful agent and editors who had critiqued my work and I began sketching for my dummy.  The following day, still in a heat wave of nearly 100 degrees and shifting barometric pressure, I got hit by another crippling sinus/migraine headache. And of course, on Monday, I’d had the usual demanding pile of work, which pays my bills, on my desk to tackle.

Point is, even for a two day conference, the afterglow doesn’t last long before the distractions of life force their way back onto our laps demanding to be fed. How not to lose that momentum? I made a new commitment. I already journal every day and miss with rare exception. However, my new commitment to my future as a children’s book writer and illustrator is to spend a minimum of 10 minutes a day doing something to further my children’s book career.

On weekends, I may spend hours working on a manuscript or sketches, and sometimes in the evening as well when I’m able. However, even on those days when I have almost no energy left, I will do something, even if only for 10 minutes. I don’t want the insights and recommendations of the agent I met and the editors I sat with to fall through the cracks. To keep them alive, I need to touch their encouragement every day, even if only briefly, until I make the next block of time. A few sketches, jotting down ideas, a bit more editing of a manuscript … whatever.

The distractions of life are never going away – that IS life. But only we, as writers and illustrators, can put them off our laps and tell them to amuse themselves for a little while – we have something very important to tend to – our futures.

Hopes and Dreams

Hopes and dreams in the SkyStargazing has become common of late. If not a longing look to the moonless sky, then a reflective gazing within. This weekend marks the convergence of aspiring authors and illustrators, publishing’s best editors and agents, plus established authors and illustrators in children’s books at the June NJ SCBWI Conference.

Each aspirant has carefully packed up his or her hopes and dreams in the form of manuscripts and portfolios, and brings them, whether boldly or tentatively, to lay at the feet of the people we hope will cherish them as we do. A fragile thing, this creativity. Like children who hope our latest scrawl is good enough to merit an honored spot on the fridge, we will search the eyes of our mentors, hoping we did good, too.

Dare we hope? A contract, another look-see, a request for a revision … some nod of approval for all it has taken to bring this seedling of an idea to its present state. Humbly, hopefully, we toss our shimmering hopes and dreams skyward.

I believe there’ll be quite the reason to stargaze over Princeton this weekend.

Best of luck, everyone!

Portfolio Critique, French Bulldog Sketches

At the end of my workday, I decided to tool around some web sites and be inspired by other artists’ and illustrators’ work. This coming Monday I’ll be attending my first Illustrators’ Conference ever. I am truly excited.

I’m looking forward to having my current portfolio reviewed, and receiving advice as to how to properly make it a children’s book illustration portfolio. Also, to hear what art directors and agents have to say about the current market, what they’re looking for, how to get there, etc.

So then, after looking at these fabulous web sites, I’m wondering why I don’t have more of my own latest work on my own web site and/or blog. OK – one reason? The shoemaker’s kids are always the last to get shoes. I do everyone else’s work most days and am really over by the end of the long days. Other days, I focus more on my writing. Additions to my blog are more often on the writing side of my talent. Time to present myself more as the artist I am! So ….

Below are 3 recent French Bulldog sketches, featuring the subject matter of much of my artwork … Frenchies. You can also buy a great assortment of French Bulldog cards and prints on my web site, with new items added periodically. Just click the link and look!

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I particularly was looking to do images of the faces resting on the floor so you could see how those little jowls spread out and how sweet they looked.

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Some of my French Bulldog sketches are in preparation for illustrating one or more of my current children’s book stories which feature Frenchies as characters.

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Other times they are in preparation of my artwork which is featured quarterly in Just Frenchies magazine. Hope you enjoy these little munchkins.

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Find French Bulldog cards and art here.

Please note: All illustrations, drawings and photographs on this site are © Jeanne Balsam and may not be reproduced in any format without written permission. Thank you!