Diversity: Writing What We Know – II

parttimeindianOne of the big topics in children’s books today is diversity, and although there are far more accomplished people addressing this subject than I, children’s publishing is where my energy is focused. For me, it also ties in to writing what we know. (See my first post on this topic.) So while there are many ways of supporting diversity in children’s books, from book purchasing to publishers themselves, I am just looking at writing.

What does diversity in this context mean? As I understand it, it’s a need for the stories we write and publish to include or be from the perspective of people of diverse races, cultures and backgrounds. When I was growing up, the subjects of all the children’s books I read were white, (unless we went into fairytales where Aladdin was darker skinned and exotic, but that was different.) The kids who were the main characters — think Dick and Jane — were only white. Those few stories where black people were featured were of a derogatory nature and a sad comment of the times. Hispanic or Asian individuals were non-existent. Indians were part of Thanksgiving stories, but otherwise, also absent.

Holes-LSacher2How much has changed in the world of children’s books? Again, I am hardly an expert, but our books have not changed nearly as much as the changes in population of the people around us. What is true is that we as authors do need to be aware that the world is way bigger than the little enclaves where we live or where we grew up.

In my humble experience, I have found that Americans, on the whole, tend to be a rather insular people,with a focus that is primarily on our own culture. While exceptions are found in sports and music and a few select other fields, a lot of people don’t seem in touch with the breadth and diversity of the world beyond their own boundaries. A broader experience of the world would bring a lot more to a writer’s plate than what we see just at home. Representation of other races and cultures in children’s books is dragging way behind the actual reality of diversity in everyday life.

ManiacMagee-JSpinelli2How does this affect how we personally write? And how do we write what we know in this context? There’s a lot of opinion on that. Needless to say, I can most comfortably write about my own experience in the world, and this comes from a Western European background of diverse nationalities. If I write what I know, it will be primarily from this perspective, but it doesn’t mean that I can’t include, in both my writing and illustrating, characters of the many races and cultures I have come to know along the way in my life and/or others that exist. But does that also mean that I can’t write from the perspective of a race or culture for whom I feel a deep kinship? That I don’t, or can’t, know enough?

Dogsong-GPaulsen2I was fortunate to have been raised in an area with easy access to New York City so that many of our family outings were in the city where we were surrounded by diversity. When I went to college in NYC, my exposure was expanded as my school was known for drawing talent from all over the world. For this amazing experience I am very grateful. I know that I can bring this, my ongoing living and working experiences, as well as my travels to my writing, but when it comes down to writing what I know? I will still always know my own culture the best. My question continues to be, where is the line drawn? Could I pull off, for example, the true voice of a black girl? Raised in the South? For that matter, as another example, could I even pull off the voice of a rich or entitled girl regardless of race? I don’t believe those are my stories to write, but to the degree that such individuals may be in my stories, in our stories,  it becomes our challenge to do research — among our fellow humans as well as in books – to make sure we are authentic in creating our characters.

Ultimately, I think we, whoever we are and whatever background we come from, do need to include characters of diverse backgrounds in our work when we have the opportunity for this very important reason. Children, from their earliest reading, need to see that the books they read aren’t simply their own reflection. Children of color, different cultural backgrounds, different socio-economic backgrounds, sexual orientation, etc. need to see themselves on the page as well, to have their existence validated and honored. We all may AskThePassengers-A.S.King2be called on to stretch a bit beyond writing what we know, but what loss could there possibly be?

We have the opportunity of expanding writing what we know to become richer as artists and human beings and to raise the consciousness and world view of eager young readers, and … to share a little reality.

Pictured on this page are a few MG and YA books I have read in the recent past which are either written by someone of a different culture/race or are inclusive of characters of diverse backgrounds/orientations. Finding picture books of the same is, unfortunately, a much greater challenge.

Here are a few interesting articles on this subject:

Lynn Joseph on Diversity in Writing
the Children’s Book Council on Diversity
Diversity in Children’s Books – Huffington Post
Where are the People of Color in Children’s Books? NY Times
Diversity Book Lists by GoodReads.
Diversity in Canadian Children’s Book Publishing -Publishers Weekly

 

Banned Books Week: September 21 – 27

CharlottesWeb2This Sunday, September 21, marked the beginning of Banned Books Week which celebrates the freedom to read. An annual event organized by the American Library Association, (the same people that award the Caldecott and Newbery Medals) , Banned Books Week is sponsored by a number of organizations who are against censorship. The website presents a wealth of information on books that are and have been banned, by whom and why, plus activities for teachers to discuss the important issues of censorship, banned books and the books themselves with their students. Additional information on Banned Books Week can be found on the ALA’s own site. On this site you can also find the 10 most frequently challenged books by year. In 2001, the most frequently challenged book was Harry Potter with John Steinbeck’s Of Mice and Men right behind.

The most common reasons for censorship are drugs, nudity, violence, offensive language, sexually explicit, anti-family, homosexuality, racism, religious viewpoint, suicide and unsuited to age group but there are a few others.

A fascinating article on BuzzFeed is about fifteen children’s classics that have been banned, where and why. This includes James and the Giant Peach by Roald Dahl, Charlotte’s Web by E.B. White, Winnie the Pooh by A.A. Milne and Where the Wild Things Are by Maurice Sendak. Granted some of these were banned  quite some time ago, and some by local municipalities, but some were banned as recently as 2010.

I don’t know about you, but I find this all fascinating. Censorship is no small issue, and the facts about who censors which books and why is an insight into the fabric of this country – what we, as a people, are afraid of, offended by and threatened by to such a degree that we can’t allow our children to read about it. As best I can tell, it’s usually the truth.

 

Before Summer Ends …

It’s been a while since I’ve had the time or the brain to post, but at last, I’ve returned. I have a few things I’d like to post about, but as the weather gets chilly and soon I will have beautiful Fall mums gracing my porches, I wanted to share a bit of how they looked this summer.

I was originally going to title this post “The Little Porch of Horrors” because all the plants were doing just terribly. I am not the gardener some of my fellow bloggers are, (you know who you are), and I am sometimes at a loss as to whether it’s me underwatering, overwatering, poor plant quality or simply their settling in. But somehow with the exception of  two pots, they all came around. The most successful of my porch plants are the humble coleus.

TwoColeus2

The dark one on the left had a tag that said either dwarf or miniature coleus. Truly, it is supposed to be a hanging plant, but that would mean I’d have to drag a stepstool or get a hose wand or whatever, and if you know me, you know my indoor plants live by their wits. I pretty much expect the same of the outdoor varieties as well. This burgundy coleus is just gorgeous and in the sunshine, has almost a furry silver texture on its leaves. The variegated one has done quite well, too.

CornerColeus2

In the corner of  the front porch I planted 2 coleus in the pot and 2 dusty miller, hoping the coleus would shoot up like last year and the dusty miller, be bushy underneath. That didn’t happen; maybe too many plants in one pot. What did happen was a never-ending explosion of coleus flowers, which, as you know, are not all that gorgeous. I pinch them back – not a good idea? – and they seem to become more profuse. However, it all looks quite pretty nonetheless.

PetuniaTrees2

Then we have the petunia trees. I have never had petunias which kept growing straight upwards. I chose these gorgeous velvety deep plum and purple varieties and planted them with cream salvia, again thinking the petunias would spread low around the salvia. I pinched them back, did whatever little I knew, but no such luck – they just keep to their aspirations of one day starring in Jack and the Beanstalk, the Revise.

There were several other pots that also did well on the porches, although they sure took their sweet time about it. Again, if I paid them more attention, perhaps I’d figure out what I was doing. But here’s what looks the most fabulous on my porches:

TheBoys2

The Boys. These are my neighbor’s cats who spend a good portion of every day lounging about on my porches, walks, driveway, car – whatever strikes their fancy and might include some sun and ideally, me, usually with a book. Truly, my talents lie in the direction of animal care and not plant care, and I think those described know it and behave accordingly.

So my hat is off to you, you wonderful and talented gardeners! I stand humbly and appreciatively in your shadow, and know, without a shadow of a doubt, that were I to begin to wilt, you’d know exactly what to do.

 

 

 

Stillness

Being still is one of the most wonderful and simple ways we can manage our lives, our feelings, our stress, our actions … you name it.

Journaling2I try, and generally succeed, to journal every day in the morning. Julia Cameron, author of  The Artist’s Way, refers to this as a “morning dump,” getting rid of all the garbage we’re holding in our heads so we can begin the day fresh and with minimal interference from negativity. While she is recommending this for artists, it is, of course, of the same benefit to everyone. I do love to write so this is a wonderful and freeing piece of time, a gift to myself which I do not allow to be disturbed. It’s a great way to sort out some of the stresses and problems we’re dealing with and look at them afresh, as well as plan a new day.

It’s more than that, however. It’s also a time for stillness. Along with my writing, I often take a few minutes to do any of the following — center my breathing, meditate a little, read something metaphysical, and/or do a few affirmations. The stillness is a tremendous benefit to beginning the day, but it also teaches us that we can Meditating2practice stillness any time things starts to get stressful. When we are still, we connect spiritually with ourselves and with our God, higher power, however one perceives that. We open and can listen for guidance.

There are times during certain work projects that I am ready to up and buy myself a ticket on the Crazy Train, it gets so stressful. But if I can remember to pull back, change my scenery just a wee bit, and breathe rhythmically and easily, restore my balance and be still, it can do wonders. Ideally it’s best to do this way before I’m at the ticket booth, but better late than never!

So consider, as your stress and anxiety begin to mount, that you can do something about it before it gets out of hand. Be still and breathe for a minute or two, opening your mind and releasing negativity. It may take a little practice at first, and the beginning of your day is a great time to try it out along with a little journaling. Both are gifts to and for yourself.

The Measure of Success – Fun!

MiraclesNow-GBernstein2We have often heard when the student is ready the teacher arrives. Sometimes that teacher arrives in person, at other times, in the form of an author and her book.  Recently a friend bestowed a lovely gift on me, a book by a metaphysical author of whom I’ve been unaware, Gabrielle Bernstein.

In her book, Miracles Now, Gabrielle, (she feels like a friend already), gives us 108 simple tools that we can all apply right now to help ease our stress, feel happier, and find our path in life. These may be in the form of affirmations, meditations, (both short and long), quick ways to change our thoughts, etc. Today – and yesterday – I”m reading the same one – #46. Measure Your Success with How Much Fun You’re Having.

Uh-oh. I suddenly felt I must be failing miserably! Not that I don’t have fun, I do, but as a measure of my success? Hmmm … Methinks I need to up my success rate!

I can’t imagine that this doesn’t strike a chord with anyone reading this post. We are often told by our spiritual teachers and guides that we need to find the joy in the moment – to not worry about the past, because it’s gone, nor the future, because it hasn’t arrived, but to cherish and enjoy the present moment, the never-again-to-be-repeated-NOW. We all know that this is not always that simple … we’re human and live in a challenging world. But I don’t think there’s a one of us that couldn’t bear being happier; however, that means taking responsibility for it, too.

So while success is often measured in what we have or what we do, Gabrielle Bernstein affirms what I think most of us really know to be true; “happiness is an inside job.” Our job is to stay in the flow with joy and let pass all the things in life which we cannot control. Her Miracle Message is “I measure my success by how much fun I’m having.”

Here’s a toast to all of us being enormously successful!