Good Reads

Catching Up on Books

/ still a dreamer

For those of you who check in on me from time to time, you know I sometimes write up books I’ve been reading, sometimes not. Today I’m starting a biography, something I’m not usually drawn to, but I’m giving it a shot. It was once suggested that I read artists’ biographies, that it would help and inspire me in my art. I’d picked this up at the annual library book sale – the biography of Impressionist Berthe Morisot by Anne Higonnet.

Morisot was the only woman among the six Impressionists whose exhibition scandalized Paris in 1874. The biography tells about what Morisot had to overcome to be recognized as a talented artist at this time in history and her accomplishments. This being my favorite period of art, I look forward to reading about Berthe Morisot’s life.

Prior to this, in addition to Skinny Dip by Carl Hiassen, I’ve read novels by two of my favorite authors who did not disappoint – Seventh Heaven by Alice Hoffman and Prodigal Summer by Barbara Kingsolver – and I just finished Witches on the Road Tonight by new-to-me author, Sheri Holman. I never fail to be impressed by the writing of Hoffman and Kingsolver … in plot and character, always, but in the amazing richness of their language, especially so. I was equally impressed by the writing of Sheri Holman, and will most defnitely look for books by her again. I am simply in awe of how some writers can turn a phrase.

“The hearse’s headlights rasp the dark as they speed along an unfamiliar road scattering rabbits and turning the night-grazing deer to statuary. The windows are down, the radio off. They pass empty fields and glassy obsidian ponds that float upon the gauze of reflected clouds, repeating pearls of moon. They ride for miles in this hushed, rolling darkness …”  from Witches on the Road Tonight.

Something that made me scratch my head as I read Witches on the Road Tonight is what are chances that I would read two novels, with only one book between them, that both feature characters “hunting sang”in the Appalachian mountains? The phrase refers to people who are searching the area to find ginseng, (“sang”), which can be quite profitable to sell. It actually featured prominently in parts of both novels … go figure!

So Berthe … here’s hoping your story is as compelling as your magnificent art!

 

Back to Hiaasen

/ still a dreamer / 2 Comments

I’d forgotten what a great writer Carl Hiaasen is. In the last week, while I focused on everything imaginable to keep one of my animals alive and recovering steadily, my focus was hardly on reading, much as I tried.

I started The Magician’s Elephant by Kate DiCamillo, certain that her magic would be a welcome respite from the vigilance I needed to keep over Gypsy Rose, lest she fall and seriously hurt herself. Sad to say, I finished the book, but could not appreciate the magic in my frazzled state, so I added Kate back to the waiting-to-be-read books stack. When I pick this book up again, I know I will be in a better place to appreciate one of my favorite children’s book authors.

At the oft-mentioned annual library book sale, I picked up Carl Hiaasen’s Skinny Dip. I’ve read a couple of his other novels – Sick Puppy, (which I kept), Lucky You and Basket Case – but none recently. I was drawn to this book as being a perfect read right now. Not only was I right, but I now remember how much I enjoy his writing. Aside from an excellent use of the English language, Hiaasen has a tongue-in-cheek, lightly sarcastic sense of humor injected with an appreciation of the absurd that makes for not just enjoyable reading, but sometimes laugh-out-loud funny.

His stories take place in South Florida and center around murder, personal greed, and political corruption. Those that I’ve read are intricately laced with the issues that challenge the area’s environmental survival, yet these never jump out at you or intrude. In Skinny Dip, Joey Perrone is heaved overboard a luxury cruise liner by her husband Chaz. She knows too much about something illicit he is involved in, and as a secondary gain to her murder, Chaz plans to eventually figure out how to inherit her millions. But he dismisses her having been a collegiate champion swimmer, and with the waters being as shark infested as they are, he assumes she will be dead or presumed so. Her survival is known by only one other person, Mick, a retired detective who rescues her from the shallow waters just offshore. “Instead of rushing to the police and reporting her husband’s crime, Joey decides to stay dead and (with Mick’s help) screw with Chaz until he screws himself.” Throw in a droll Norwegian detective, Karl Rolvaag, and Hiaasen’s humor and Skinny Dip has all the makings of another great tale, and I’m only five chapters in.

Thanks, Carl, I believe I’m back to reading!

Books vs. Movies – Part 1

/ still a dreamer

There’s something exciting about reading a terrific book and then going to the movies to watch the film created from it.  However, I, and most folks I know, are of the opinion that the book generally outshines the movie, if for no other reason that so much of a book’s depth and detail cannot possibly be portrayed in the short time allowed for a film. This is not always the case, but I get ahead of myself.

Having recently read The Bridges of Madison County, I rented the movie. I must say I was really disappointed. First, the book is a very short novel; the movie ran 2-1/4 hours long. As mentioned in an earlier post where I wrote about the book, I had my doubts about Meryl Streep and Clint Eastwood cast as the main characters — both outstanding actors, but I didn’t imagine them in these roles. Again, my personal opinion. I would have much preferred Sam Elliot, or even Kevin Costner, (as he is now), as Robert Kincaid; maybe I’ve just seen Clint Eastwood in too many hard and/or violent roles. Meryl Streep, so brilliant, just couldn’t cut it for me as an Italian woman, now Iowa farm wife. It really took away from the story, and that seemed so drawn out over the course of the 2+ hour movie. I’d stick with the book.

So I’m wondering … did you read the book and/or see the movie? Who might you picture in the roles of Francesca and Robert? Or did Eastwood and Streep fill the bill for you?

p.s. This is just Part 1. Down the road, we’re going to have some fun with Part 2 and onward … it’s all about reading and imagination and what we see.

I See You Everywhere – a Novel

/ still a dreamer / 4 Comments

I See You Everywhere by Julia Glass was another selection from this year’s annual county library sale. Why did I pick it up?

Several reasons. One, I loved the title. All you can see at the book sale are the titles in the way they are arranged. That title drew my attention because of the many possibilities of what it might be about. Two, I was totally drawn to the cover, with this magnificent pitcher of crackled turquoise glass and the seashell. So simple, and yet so arresting. And, I just realized as I write this, each of these two objects may symbolize the two main characters.

Three, the storyline. I was intrigued by the story of two sisters, four years apart, so totally different and how they grew both individually and in their relationship to each other over 25 years. (I also picked I See You Everywhere because a fellow writer has a middle grade novel of two sisters, twins actually, and I thought this might be helpful to her in her characterization.) So an unknown book and author that can appeal on numerous levels right off the bat? A good thing!

The story starts when Clem is still in college and Louisa graduated and beginning a career. Louisa is the conservative and conscientious sister who yearns for a career in art, a good marriage and a family. Clem, 4 years younger, is a rebel who takes on adventurous assignments working with animals in faraway places, daring, and not one to settle down with any one man. Louisa’s and Clem’s stories are told in first person, present tense, alternating between the two sisters. How they move through their lives and their feelings about each other reveals their own personal issues, their challenges, their sisterly resentments, jealousies, and compassion for one another.

I found this to be a very well-written novel. I’ve never read Julia Glass before, but she has a National Book Award behind her for Three Junes, and has written another novel as well. Her use of language is lovely, and I enjoyed that immensely. I was able to identify more readily with one of the characters, though both are entirely relatable, and that character – Clem – drew me in more perhaps for what wasn’t said than what was. This was a good read.

The only thing I noticed, and this was probably only because I just finished How to Save A Life by Sara Zarr, is that I felt I was always reading the author’s voice, not the individual character. What really wowed me about Zarr’s YA novel, also two females, (teens), written first person, present, is that whether you read Mandy or Jill, you always felt they were writing their own chapters. This is no small feat, and I was truly impressed.  In I See You Everywhere, although I was reading Clem or Louisa’s thoughts, it seemed the same beautiful language either way. Happily, it is beautifully written, but following on the heels of Sara Zarr’s book, it was something I noticed.

As for the story, I did enjoy it. I cared about Louisa and Clem. I enjoyed watching them grow, deal with heartache and pain, challenges, successes and failures. The story takes a twist at the end that I never saw coming, and I’m still not sure how it’s sitting with me. But that the author has me thinking about it after I’ve moved on to my next read … well, that says something about a good storyteller.

How to Save A Life – YA Novel

/ still a dreamer / 2 Comments

YA NovelHow to Save A Life by Sara Zarr is aptly titled, though it’s not quite clear whose life (or lives) will ultimately be saved nor how until the tension starts building well into the book. I really liked this novel. The story is told in first person in alternating chapters by the two main characters, Jill and Mandy. The book designer was insightful enough to use a different font for each chapter and head it with the character’s name, which made it ever so easy to always know who was speaking. (Unlike an adult book which I am reading now with 2 characters alternating, but which does not help the reader with this very simple aid.)

Jill, a senior in high school, is trying to adjust to the sudden death of her father, with whom she was most closely identified. In addition to her future plans being unclear, Jill now has to adjust to her mother, Robin, having decided to adopt a baby. Mandy is a pregnant teenage girl from Omaha, who needs to get away from an abusive home situation and who has connected with Robin online to give her baby away. Additionally, there is a love interest or two for Jill, but plenty of conflicts for all of the characters.

One of the things that is so very impressive in How to Save A Life is the absolute consistency of voice of both Mandy and Jill, and I say kudos to Sara Zarr for pulling this off so amazingly. I found the story to move along at a slow and gentle pace for quite some time, gradually revealing Jill and Mandy’s situations, feelings and conflicts. It builds quite  seamlessly to the point that could change everything, and then the pace picks up rapidly.

Mandy and Jill are as different as day and night, as are their life circumstances, but Zarr never gave me any real reason to change my mind about how I felt about them, no matter how they behaved or what choices they made. Mandy and Jill’s choices were always understandable, always forgivable, no matter how seemingly selfish, unwise or uninformed. This is the mark of a great author, to create characters we genuinely care about and with whom we can identify.

I recommend How to Save A Life to anyone who enjoys a good read and wonderful character development. For those of us who are writing, how Sara Zarr has put it all together is enlightening, as well.