Scarecrow’s Dance – Jane Yolen and Bagram Ibatoulline

When I first planned on buying this book, I admit it was largely for the magnificent illustrations of Bagram Ibatoulline. I first came across Scarecrow’s Dance as a yet-unbound copy and part of an illustrating exercise at the NJ SCBWI Illustrators’ Intensive in 2008.  I was, and still am, utterly entranced by the rich, yet soft, colors at dusk, and the beauty Ibatoulline has created in the cornfields and farm setting. If you are an illustrator or one who appreciates excellence in illustration, this book is worth the cost of that alone. And the story, in the brief exposure I had to it at that time, was so touching as to bring me to tears, and it still does.

I eagerly awaited it’s publication with my primary interest in the art. It finally arrived so I could appreciate both story and text. Jane Yolen is the author of Scarecrow’s Dance, and recipient of the Caldecott Medal for Owl Moon, and many, many other awards in her rich and extensive writing career for children. As I examined this book more closely, several thoughts did cross my mind … as beautiful as I found the illustrations, would they appeal to the target age group, 4 – 8? Would a child that age lose interest in the dusky light’s subtlety on page after page? Would a barn described “as red as blood” be disturbing to a small child? Might some parents find both a child and scarecrow kneeling and praying to God a predominantly Christian message they may not wish to read to their child in a picture book story?

I don’t actually know the answers to these. I found the overriding message to be of the greatest importance, and that is finding who we are and knowing our place in the world to be unique and one of value. I think a parent reading this story to a child with the feeling Yolen has put into it, will easily impart that as the primary message, and it is very beautifully done in both word and image.

I visited Jane Yolen’s web site, and found a wonderful section just for us writers – lots of sound advice to guide us on our journey to becoming not just published, but still sane when we get there. Kathy Temean, the RA of NJ SCBWI, also posted 20 Yolen writing tips as transcribed from the recent SCBWI Conference in New York. All great stuff.

And then, Bagram Ibatoulline. I kiss the ground this illustrator walks on. His work is simply magnificent. In addition to Scarecrow’s Dance, he has done two books by Kate DiCamillo, The Miraculous Journey of Edward Toulane and Great Joy. He illustrated a beautiful book, Crow Call, by Lois Lowry, The Serpent Came to Gloucester, and many, many others. Next time you’re in a bookstore, I highly recommend you take a look at Ibatoulline’s work.

The Lost Symbol – Dan Brown

I’m trying to figure out – why didn’t I love this book?

I thought The DaVinci Code was terrific as was Angels and Demons, yet something was missing in The Lost Code for me. What Katherine Solomon was studying and what “The Word” was really all about are right up my alley, but was there too much of it? Was there more information about the Freemasons and the Masonic symbolism than was needed to keep the plot moving briskly?

As always, once I was reading, it was hard to put down, but away from it, I didn’t feel like I couldn’t wait to get back to it! Most strange. I still say that Brown has an excellent way of jamming suspense and intrigue into a very short timeframe in which the novel takes place, and for that I enjoyed The Lost Symbol. But something wasn’t right.

While I never saw it coming who Mal’akh actually was, I also found him to be somewhat of a 2-dimensional character. Yes, he was a psychopath at this point, but I don’t know if I was given ample reason to understand how he got that crazy considering his background. I also don’t recall the interior dialogue of characters in italics in previous books, though I just may not be remembering, and I’m not sure that I liked it.

I was fascinated by the information about the Washington Monument and the surrounding buildings and their architecture, but did so much factual information pull me away from the storyline? Was there just too much? Next time I’m in D.C., I will look at the buildings described in a very different light, no doubt, but I think I was being overwhelmed with non-fiction in a fictional account. I believe Dan Brown has a message – an important message about man and his future – that he wants to share. I like the message. I guess I’m wondering if Brown is conveying it in the most accessible way.

I’m puzzled. But then, who am I to criticize? These are just my perceptions, and I wonder if others share them or feel differently.

Fast, Riveting Read – Moon Called

Sometimes I like to read literature, read in my field, (children’s books), something enlightening and inspiring, or perhaps a good, complex novel. I like a variety of things.

Sometimes I am in a place where I want to read something totally engaging which sucks me in hard and doesn’t let me go until I’m done and all but spits me out.

And that’s what I got when I read Moon Called by Patricia Briggs. A writer friend’s husband thought I might like this, (how did he get my number?!), and lent it to me. Was he right! Now I wouldn’t have actually sought out a book written in first person by a woman who’s a Volkswagen mechanic and who’s also a coyote shapeshifter, and whose life is intertwined with werewolves. I wouldn’t have known it existed. But now I do.

What a fast, fabulous, can’t-put-it-down novel! The storyline is solid and very well told with just the right amount of factual information woven in about werewolves to keep the plot moving along, but never leaving me feel like I was being educated. Our heroine, Mercedes Thompson, a.k.a. Mercy, is a well-developed, engaging character. The pace is very fast, and wrapped around Mercy’s friend Stefan, a vampire, a witch who is a “cleaner”, and some involvement of the local fae, it’s totally absorbing.  The backdrop is the local werewolf clan, headed by Mercy’s next door neighbor and pack Alpha, Adam.

I realize as I write this, that Moon Called could sound almost hokey, but truly, it’s not. It’s a complex story in the nature and motives of the characters and very well-written. So much so, that you’ll see that the book I am now reading is the next in the Mercy Thompson series, Blood Bound. I can only hope it’s as good!

Outstanding Picture Book – Pete & Pickles

Pete & Pickles, written by Berkeley Breathed, is one of the most touching picture book stories I know. It is the tale of a very proper pig, Pete, and a very free-spirited elephant, Pickles. The story is about friendship, forgiveness, healing, joy, and accepting the differences in others. But believe me, even this does not do justice to this wonderful book.

Pete, mourning the death of his pig wife, Paprika, finds himself, in the middle of a stormy night, with an escaped circus elephant hiding in his home. Pickles has made a muddy mess from the rainstorm. Pete cannot accept his overly tidy life being sullied. When the nasty circus clown comes to collect the terrified elephant, who had begged Pete for help, he just points in disdain.  Yet she smiles at him as she’s led away.  As Pete disinfects his home, he finds Pickles has left him a gift, and he gets to thinking. He reroutes his daily stroll into town to find Pickles.

A rescue ensues, and a friendship grows between the very unlikely pair. One of my favorite illustrations is that of Pete coming out in his pajamas to find Pickles doing Tai Chi in dawn’s glowing light.  May I say, the illustrations are infused with the richest of color with all the little quirky touches you’d expect from Opus’ creator. On some pages there are also simple 2-color, pen and ink spot illustrations. The whole thing is just brilliant, and I am deeply touched each time I re-read this story.

But here’s what most reviews never mention … Breathed is tuned in to the horrific abuse suffered by elephants in the circus, and reveals it both subtly and on a level that children can relate to without being overwhelmed. When the evil looking clown stands in the entryway shadows to get Pickles, there is a glint on the metal bullhook in his hand. When Pete goes into Pickles’ tent, he finds her chained with heavy padlocks. She is not chained in the way circus elephants really are – chained standing in place 23 hours a day – but in a way which will engender empathy from a child to see so lovable an animal be both shackled and frightened in a picture book way.  Adults unaware of the plight of circus elephants will probably never notice these touches, but for those of us who are, we can be grateful that someone has spoken for them in a children’s book.

Berkeley Breathed went up in my estimation X10 for not only writing a fabulous story in Pete & Pickles, but for opening the door to a child’s compassion for his or her fellow creatures. This is truly a must-have if you are a lover of children’s books – a parent, a writer, lover of fabulous illustrations, fan of Berkeley Breathed – or a lover of animals.

p.s. And a big thank you to one of my fellow PB writers, Paola, who so insightfully gave this to me as a gift.
p.p.s. Should you wish to know more about the abuse of circus elephants, you can check out a video showing the gratuitous violence inflicted by sadistic handlers in just one Ringling Brothers pre-show incident. This is not for children.

Eat, Pray, Love – Elizabeth Gilbert

Are the words #1 New York Times Bestseller a draw for you? For me, generally not, though I find and read some by chance every now and then. And sometimes one comes to me through a friend, as did Eat, Pray, Love. Because we are kindred spirits and she thought I might enjoy it, I began to read.

Eat, Pray, Love is the story of one woman’s journey to find balance in her life, to become whole. It is a spiritual journey with many revelations along the way, as she travels, spending 4 months each, in Italy, India and Bali. With everything a woman in her thirties is supposed to be grateful to have – a husband, a great career, and the house in the country – Elizabeth Gilbert is utterly miserable. She makes the year long journey after a painful marriage and an even more painful divorce, followed by a profound depression.

One of the things that is so striking about the story told through her travels is that Gilbert had the courage to embark on this journey at all. I find the book to have its shortcomings, but as I finished it, I found myself impressed with the bravery it took for one woman, on her own, to pick up and travel to 3 foreign countries. She spoke none of their native languages, although yes, English is commonly spoken in all these places. In fact, she went to Italy in part to learn Italian. What she learned – in the Eat chapters – was to enjoy and appreciate … food, beauty, life, and she began to recover, putting on weight and feeling a greater balance.

In the Pray chapters, she is at an ashram in India, working through more of her issues and finding her religion, her God, the spirituality that resonates with Elizabeth Gilbert. She learns to truly pray. And while I found this section too long at times, it was still easy to get lost in India, as in Italy, in cultural experiences so totally different from our own and so rich in their own right.

And then Love. Bali was engrossing. One of Gilbert’s strengths as a journalist is describing so many aspects of the culture where she is living, and I found the Balinese to be fascinating. Here, Gilbert continues to heal and grow, and at long last find what she thought she might likely be without the rest of her life after her marital experience – love. And sex. It is interesting to watch how this plays out, and how, only in a book promo at the end, we find how it all truly ends.

In a conversation about Eat, Pray, Love that I had with another woman, she felt that Gilbert was spoiled and self-indulgent … who could just drop their lives and travel the world for one year on a search for themselves? Who could afford such a luxury? Especially in our pressured economic times, it’s easy to see where that may come from, for how many of us could take such a journey? And yes, at moments, Gilbert did seem a bit self-indulgent. Does she seem to belabor points at times? At times, for me, yes. Ultimately, however, this should not detract from the wonderful adventure – one woman’s search to find herself , find balance and to recover from paralyzing pain – and the depths within herself Gilbert was willing to plumb to do this.

There are life-changing experiences throughout, wonderful people Gilbert meets and befriends, and a spiritual search … I think there’s good stuff here for lots of us.