How many times have you finished a book, and it was so good that you wanted to go back to the beginning and read it again? I’ve felt that way; I think we all have. But how many times have you actually done it? I’m guessing you haven’t, and until now, neither have I. Until I read The Queen of the Night by Alexander Chee.
This is an amazing historical novel, written in first person by a young woman, who, at the opening of the book, is making her entrance at the Sénat Bal in Paris, autumn of 1882. She is “La Genérale”, Lilliet Berne, famed opera singer and a falcon soprano. She is approached by a novelist who dares to get her attention, and asks her to listen to his proposition – a story he has in his possession, to which a score will be written by a promising composer, an original role created just for her. Such a thing is the apex of an opera’s singer career. And then Lilliet hears how much of the story is her own past life, which, if it came to light, would destroy her career. So few know her past; who would want to see her fall? And so begins our story.
We return to Lilliet’s beginnings in the then free-state of Minnesota in 1866, sixteen years old, when she loses her entire family to scarlet fever. Alone and practically penniless, she decides to cross the country, and then the ocean, to find her mother’s only sister in Switzerland. The ensuing story unfolds in endless twists and turns of Lilliet’s trying to survive, becoming a circus equestrienne, a courtesan, later purchased by the tenor, the keeper of the empresses’s furs, and an opera singer. This all takes place largely in Paris during and after the reign of Emperor Louis Napoleon III and Empress Eugénie.
The Queen of the Night is a very complex novel. There is subterfuge, characters using each other and being used, and many unexpected betrayals. Set against the backdrop of an opulent Paris as well as the utter desolation after the Prussian attack, there is also opera, loyalty, friendship, devotion, and most importantly, love. One might say that this is a love story, but truly, it is so much more. When I decided to reread this book, I was initially aware it was because there was so much going on, that I knew I had missed certain things, and I needed to feel that I really understood everything.
But as I approach the final chapters this second time, I know that a major attraction for me is Lilliet Berne herself. I found Lilliet to be an amazing heroine, who fights to stay alive, to try to be whatever it is she is born to be, despite not knowing at all what that might be for so long. She starts our story as an orphaned girl of sixteen, and ends … well, I can’t really tell you that. I can say that this is a demanding book, not one to be read when you’re tired or distracted, because I guarantee, you will miss something critical. But it is also one you cannot put down. Alexander Chee is highly successful in writing a story with fine attention to rich historical detail, and also for creating characters who will live in your imagination between each reading and after.