Inspiration from the 2012 NJ SCBWI Conference

WHAT A FABULOUS CONFERENCE!!

I don’t want to lose one minute of the excitement and inspiration. However … I know I am not alone in coming home from a weekend of total immersion in children’s books at the June NJ SCBWI Conference to find that life “as we knew it” is alive and well and waiting for us at the door. Kids and pets, bills and deadlines, meal prep and taxes …. they really did only disappear for those two (or three) fabulous days. And how wonderfully inspiring those days were … and with all our food cooked for us, too. Ahhhhh.

So now we’re back. And as has been true in each year past, the challenge remains … to not lose the forward momentum that was inspired by meeting with agents and editors, art directors and other faculty, and sharing with our peers. I believe most of us come with certain goals in common and with certain individual goals as well. I believe that all of us come to find the avenue – or additional avenues – to be published, and/or represented by an agent, and to bring our writing and illustrating talents to the eyes and ears of children and young adults.

Some of us come looking for the first steps towards that goal … information about the field of children’s book publishing, and others for the nitty gritty of how we can get further along the road. I came with my own missions as did you. One of mine was to get guidance on a particular story I’ve been working on, and I was richly rewarded by the insight of the agent I chose to meet with on that and on other aspects of my work. I came to learn more about how I could improve my illustration and my portfolio, and was rewarded in several ways, some quite unexpected.

I came to be inspired. I came to be reminded, following a very difficult year, that despite all challenges, I am a children’s book author and illustrator. I am. Having a published book in my hand is not what defines me; but yes, it is the significant mark of progress and success along my path to which I aspire. I came to gather the momentum I needed to move forward and become, in more and richer ways, who and what I am.

I suspect, no matter how you choose to phrase it, that that is why you attended the SCBWI Conference as well … to be who you are. May we all find the inspiration, from both without and within, to follow our path and be able to say and believe … I am a children’s book author and illustrator.

Soon … some tips in keeping our dream alive!

2012 NJ SCBWI June Conference

Cheers to reading! And cheers to children’s books of all genres!

And here we come – a whole bunch of us aspiring writers and illustrators flocking to the annual NJ SCBWI (New Jersey Society of Children’s Book Writers and Illustrators), June Conference for one 3-day weekend where we eat, breathe, drink children’s books. Today, Friday, is the day of the intensives. These are in illustration, picture books, novels, and many more. The next two days are packed with workshops, one-on-ones with agents and editors, first page sessions, meals with the editors and agents, and outstanding keynote speakers – Kate DiCamillo and Dan Yaccarino. There’s a Book Fair, book signings, scholarship raffle, mix and mingle, and more. It’s simply an amazing event. (Take a peek at what the schedule looks like.) All to inform and guide us to being the best children’s book writers and illustrators we can be.

So cheers to everyone attending – faculty and attendees alike, and to all the wonderful people in NJ SCBWI that organize and work the event.

Whether lost in a traditional book or engrossed in an e-book, children are still reading and loving it. And all of us in SCBWI are inspired to be a part of it.

The Bridges of Madison County

This story by Robert James Waller is a wonderful, short novel – the depiction of a romance, an affair, between two people whose paths crossed in a juncture in time and space which neither expected. The thought that seems to stay with me about the author’s style is that he writes with the heart of a woman, but the pen of a man. This is not a criticism, but rather a compliment. He tells the story of  Robert Kincaid and Francesca Johnson with the lush feel of romance that a woman knows in her heart, yet without a touch of cloying sentimentality. Waller writes with a rich, but simple and straightforward style that I would generally attribute to a man. It’s a great combination and makes The Bridges of Madison County a fast and engrossing read.

The gentle unfolding of this once-in-a-lifetime experience for the two of them and the simply told background of both characters made them especially real to me. I also really appreciated how the loose ends were tied up in the discovery of Kincaid’s belongings and Francesca’s letter after her death to her two adult children, then followed by an interview with a jazz musician in Washington who’d come to know Kincaid before he died. It was all beautifully done.

The romantic affair that lasted for four days while Kincaid was on assignment for National Geographic and Francesca’s family was away for the week at the state fair was the focus – and gem – of the book. Who wouldn’t be sent dreaming a bit after reading this novel?

As for the movie, I added it to my Netflix queue, but I must say I have my questions about Meryl Streep, brilliant as she is, as an Italian. I know Clint Eastwood plays Robert Kincaid, but I see Clint Eastwood as a bit more hard-edged than I saw Kincaid. He’s an excellent actor, but I’m not imagining that wild romantic streak of Kincaid. I guess I’ll just have to see on that one. I’m always ready to be surprised.

Here is the video and song that Robert James Waller created based on his book. Quality not great, but the song is fantastic. What a talented man.

I See You Everywhere – a Novel

I See You Everywhere by Julia Glass was another selection from this year’s annual county library sale. Why did I pick it up?

Several reasons. One, I loved the title. All you can see at the book sale are the titles in the way they are arranged. That title drew my attention because of the many possibilities of what it might be about. Two, I was totally drawn to the cover, with this magnificent pitcher of crackled turquoise glass and the seashell. So simple, and yet so arresting. And, I just realized as I write this, each of these two objects may symbolize the two main characters.

Three, the storyline. I was intrigued by the story of two sisters, four years apart, so totally different and how they grew both individually and in their relationship to each other over 25 years. (I also picked I See You Everywhere because a fellow writer has a middle grade novel of two sisters, twins actually, and I thought this might be helpful to her in her characterization.) So an unknown book and author that can appeal on numerous levels right off the bat? A good thing!

The story starts when Clem is still in college and Louisa graduated and beginning a career. Louisa is the conservative and conscientious sister who yearns for a career in art, a good marriage and a family. Clem, 4 years younger, is a rebel who takes on adventurous assignments working with animals in faraway places, daring, and not one to settle down with any one man. Louisa’s and Clem’s stories are told in first person, present tense, alternating between the two sisters. How they move through their lives and their feelings about each other reveals their own personal issues, their challenges, their sisterly resentments, jealousies, and compassion for one another.

I found this to be a very well-written novel. I’ve never read Julia Glass before, but she has a National Book Award behind her for Three Junes, and has written another novel as well. Her use of language is lovely, and I enjoyed that immensely. I was able to identify more readily with one of the characters, though both are entirely relatable, and that character – Clem – drew me in more perhaps for what wasn’t said than what was. This was a good read.

The only thing I noticed, and this was probably only because I just finished How to Save A Life by Sara Zarr, is that I felt I was always reading the author’s voice, not the individual character. What really wowed me about Zarr’s YA novel, also two females, (teens), written first person, present, is that whether you read Mandy or Jill, you always felt they were writing their own chapters. This is no small feat, and I was truly impressed.  In I See You Everywhere, although I was reading Clem or Louisa’s thoughts, it seemed the same beautiful language either way. Happily, it is beautifully written, but following on the heels of Sara Zarr’s book, it was something I noticed.

As for the story, I did enjoy it. I cared about Louisa and Clem. I enjoyed watching them grow, deal with heartache and pain, challenges, successes and failures. The story takes a twist at the end that I never saw coming, and I’m still not sure how it’s sitting with me. But that the author has me thinking about it after I’ve moved on to my next read … well, that says something about a good storyteller.

How to Save A Life – YA Novel

YA NovelHow to Save A Life by Sara Zarr is aptly titled, though it’s not quite clear whose life (or lives) will ultimately be saved nor how until the tension starts building well into the book. I really liked this novel. The story is told in first person in alternating chapters by the two main characters, Jill and Mandy. The book designer was insightful enough to use a different font for each chapter and head it with the character’s name, which made it ever so easy to always know who was speaking. (Unlike an adult book which I am reading now with 2 characters alternating, but which does not help the reader with this very simple aid.)

Jill, a senior in high school, is trying to adjust to the sudden death of her father, with whom she was most closely identified. In addition to her future plans being unclear, Jill now has to adjust to her mother, Robin, having decided to adopt a baby. Mandy is a pregnant teenage girl from Omaha, who needs to get away from an abusive home situation and who has connected with Robin online to give her baby away. Additionally, there is a love interest or two for Jill, but plenty of conflicts for all of the characters.

One of the things that is so very impressive in How to Save A Life is the absolute consistency of voice of both Mandy and Jill, and I say kudos to Sara Zarr for pulling this off so amazingly. I found the story to move along at a slow and gentle pace for quite some time, gradually revealing Jill and Mandy’s situations, feelings and conflicts. It builds quite  seamlessly to the point that could change everything, and then the pace picks up rapidly.

Mandy and Jill are as different as day and night, as are their life circumstances, but Zarr never gave me any real reason to change my mind about how I felt about them, no matter how they behaved or what choices they made. Mandy and Jill’s choices were always understandable, always forgivable, no matter how seemingly selfish, unwise or uninformed. This is the mark of a great author, to create characters we genuinely care about and with whom we can identify.

I recommend How to Save A Life to anyone who enjoys a good read and wonderful character development. For those of us who are writing, how Sara Zarr has put it all together is enlightening, as well.