Writing What We Know

This started out to be about three aspects of writing what we know, but I see that it would be a ridiculously long post. So I’ll divvy it up and start with a fairly recent example. I received a lovely personal response from an editor at one of the publishing houses represented at an NJ SCBWI event. I am very appreciative to receive such a thoughtful and detailed reply, although, of course, I wish it were better news. She complimented me on tackling a difficult subject, but found it a bit melancholy and added that quiet stories were not selling much in the picture book market these days. Happily, she was also very encouraging about my writing and my pursuing it.

Simon's Secret Illustration by JeanneBalsamThis is where writing what we know comes in. What I know – one of the things, anyway – is about animals and their ability to affect us profoundly, both personally and through literature and imagery. This particular picture book story has a wonderful magical element to it and healing on several levels. While I don’t see it as melancholy, it still behooves me to pay attention to the perception and opinion of one who lives and breathes children’s books. But what stops me is the “quiet story” part.

I like quiet stories. I like funny stories, too, but I also like something that touches the heart and soul in some way, something that’s real, that’s a reflection of what children go through in their young lives. I get that kids like funny and action-filled, but what about the other aspects of a child? Are we no longer looking to feed that as well? Are our increasingly fast-paced and digital lives crushing the inner lives of picture-book age kids? (OK, maybe that’s extreme, but then again …)

As writers, we certainly need to be aware of the trends in the industry and what the market is looking for, otherwise we can be twirling about in our own stew of ideas that will never get published. At the same time, we need to consider what “writing what we know,” (the advice we are always given by editors and agents), actually means and where it fits in what’s being published.  It’s a challenge to all of us. So I look at the body of work I have to date. Maybe it’s time to let some of my stories go; maybe I haven’t sent them out often enough and/or to the right publisher/agent who will appreciate a particular “quiet story.”

So where does the rubber hit the road? Where do writing what we know and what’s being published intersect?

 

Children’s Books and Fused Glass

FusedGlassVotive2The journey of writing and illustrating children’s books, as in any serious endeavor, has been packed with a wide variety of experiences. The learning curve has been tremendous between a writer’s critique group, caring support from fellow writers and artists, and the many opportunities to grow offered through the SCBWI, (Society of Children’s Book Writers and Illustrators.)

Conferences, workshops, individual critiques and sometimes just time to sit down and talk with professionals in our field have given us all hope and sustained us on the road to being published and beyond.  I consider myself very fortunate that, in the time I have belonged to the SCBWI, my New Jersey chapter has been extremely pro-active in providing so many ways to become involved in the world of children’s books.

Our current NJ SCBWI Regional Advisor recently put together a really fun workshop at the Fire Me Up glass studio. It was a chance to create something new and to also sit down and brunch with the Executive Editor of Children’s Books at Sterling Publishing of NYC, Meredith Mundy. And getting there early gave my friend and I the opportunity to sit right opposite her and talk about all manner of things. It was a friendly gathering of about 20 writers and artists in the children’s book field, some published, some not yet, trying our hand at a glass project while talking about our favorite subject.

FusedGlassVotive-Lit2After brunch and getting instructions about our projects, Meredith chatted with us, talked about changes in the industry, what Sterling was looking for as well as what she, in particular, was looking for in terms of stories and subjects. And when our afternoon was done, we were each given our individual critiques of whatever manuscript we had submitted ahead of time.

Meredith’s critique was very helpful and included wonderful insights and detailed suggestions for improvement, really challenging me to expand the ideas I was already working on, while acknowledging what I’d already accomplished. What a treat! I have since been working hard on my MS, getting ready to make a pacing dummy, and sketching my main characters for still new insights.

And what about the fused glass project? We had a variety of options to choose from, and I took a fairly simple one so I could focus on the conversation around me. (You don’t want to lose attention when you’ve got such a talented Executive Editor sitting across the table!) One of the options was a glass votive holder, and as a candle lover, this seemed perfect. So with an 8″ square piece of clear glass and a variety of jewel-colored glass in the form of spaghetti, linguine, flat marbles, small chunks and other possibilities, I made what you see here. TaDa!

If you are an aspiring author or illustrator in the area of children’s books, I encourage you to look into and join the SCBWI, take a look at what’s going on in your own state, get involved and amp up your learning curve and grow!

Coming Home and (Re)Finding My Path

That may sound like a contradiction in terms, but actually, it’s two different subjects.

Coming home? That would be coming home to cooking and trying something new.

VeganPancakes2

Here you find my first effort at scratch vegan pancakes. They look pretty yummy, but in fact, were only okay. Granted, that is because the ingredients are quite different than what I’m used to. There are no eggs, instead Ener-G Egg Replacer; almond milk instead of real milk, and the least problematic, Earth Balance instead of real butter. We are very used to our fats and dairy, and eggs and butter do make a difference in taste. For a first effort, I’m okay with them, because I know what I have to do is learn how to adjust the recipe, as I always have, to make something taste better. Maybe soy milk instead of almond, maybe a touch of vanilla. I’m not giving up yet. And the texture was perfect.

I only regret I don’t have more time to cook and noodle around with things, but sooner or later, I’ll find it.

(Re)finding my path? That would be getting back on track in children’s books – setting new goals and timelines for illustrating, dummying and re-working specific stories; finding publishing houses and agents who are a good match for my work. It’s a lot of work, but it’s good work. Being on our path is always a good thing.

Jazzy-WorkDesk2

So after a stimulating breakfast with one of my children’s book buddies, I returned home and cleared off and cleaned both my work/art desks, sorted out where I’d left off on my projects, and yup, made a new plan, Stan! I wasn’t the only one who had plans for my studio chair … one kitty named Jazzy wanted in on the action. OK by me. Well, OK until Mama needs the chair and then there’s that lovely patch of sun by the window.

 

Horse Sketch – Keeping My Hand In

JBalsam-Horse-WatersEdge2Sometimes there is just too much to do … as I’m sure any of you can attest. Between work and shoveling snow … and shoveling snow … and shoveling snow … and just taking care of day to day life, things that really matter can sometimes be sitting on the sidelines. Children’s books are always in my head, so if I don’t have the time to be writing or dummying, illustrating  or prepping something to send to an agent or editor, I can do something else … I can turn out a sketch.

This sketch is of a bay pony at water’s edge and from a calendar given to me by a friend who is so helpful in keeping me inspired to write. Well, this time, I drew, but that’s OK, because I’ve still got my hand in.

 

The Joy of Children’s Books

BoyReadingYou can Kindle all you want, but I think I will always want a book in my hand. And the joy of reading with a book in hand is never more important than for a child.

I subscribe to an e-mailed newsletter from the biggest children’s bookstore in NYC, Books of Wonder. Each week, into my Inbox comes a colorful announcement of the latest books for children across all genres, and photos of authors and illustrators who will be doing book visits and signings. I don’t subscribe to many things like this because I am already overwhelmed with work-related e-mails, but I always look forward to their newsletter. The Books of Wonder e-mails keep me in touch with children’s books, where I continue to devote time to writing and illustrating, whet my appetite for something new, and keep me apprised of what’s selling in picture books. middle grade, YA and more.

This Friday, something even more exciting arrived, a video … a video of a young girl perusing the shelves of the bookstore, running her fingers along the spines of the books. (This so reminds me of Liesel in Ilsa Hermann’s library in The Book Thief and makes it even more meaningful, but that’s for another post.) When the girl picks up a book, we hear the sounds of the subject, a train whistle from a locomotive story, the whinnying of a horse, cackling from the Oz books, and all with Strauss in the background. It’s brilliant.

I believe you’ll enjoy the YouTube video from Books of Wonder, and please visit their website for the latest that’s happening in children’s books, and/or to sign up for their newsletter: