creativity

Artist Date – Part 2

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Admittedly, I had to go to this location for an appointment, but moseying around town and taking some pictures, which I love to do, was my Artist Date.

This is the very charming little hamlet of Frenchtown, the river town just south of the one I live in.

There are several such river towns dotting the Eastern side of the Delaware River – we are the two northernmost.

Frenchtown abounds with small, unique shops, and plenty of good places to eat, get coffee, ice cream, pastry, and much more.

I obsessed a little over these two dogs, and took quite a few photos of them. But, hey, it was my Artist Date, and my chance to do what I love.

The Artist Date

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It’s the weekend. I have chores to do and a few other things to catch up on, but what about tomorrow?

Maybe I’ll take myself on an Artist Date, I thought.

What is an Artist Date? It’s one of two basic artists’ practices proposed by Julia Cameron to inspire creativity. The other is The Morning Pages. She introduced these in her 2002 book, The Artist’s Way. (She also has many, many more ways to get your inspiration moving.)

The Morning Pages is a daily writing exercise, three pages of stream of consciousness writing done in the morning to kick off your day with inspiration.

But the Artist Date – that asks a little more of us. Ms. Cameron asks that we take ourselves somewhere each week – by ourselves – for a block of time to “nurture our inner artist.” The cool thing about the Artist Date is that it can be anywhere – take a few photos by the river; people-watch in town; go to a museum, gallery, library, some special shop; take pictures, sketch, read, or just watch. But go by yourself.

As we are creatures who seem to be always facing schedules and tasks, taking that time for ourselves, and BEING by ourselves, may be a bigger ask for some than you think. Or maybe not. You just may love it.

Pictured above was an Artist Date I took in Clinton some time ago. I realized that I have a perfect opportunity to take myself on a date this coming Tuesday, and so I shall. Stay tuned.

Learn more about Julia Cameron’s The Artist’s Way and get ready to be inspired!

Seeing Art – Princeton University Art Museum

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What kind of museum do you want to go to? What do you want to see?

“Fish” – Zhang Hongtu, 1985, Acrylic on Canvas

For me, as an artist, photographer, writer, I want to see art. I want to see what will make my eyes open wider.

“Moonrise” – George Inness, 1888, Oil on canvas

I want to see what will touch my very being and remind me of who I am. Because in today’s intense, fast-moving world, it can be easy to sometimes forget.

“Moon Beam” – Pat Steir, 2005, Oil on canvas

I want to try and understand another human being who looks at the same thing as me, but sees it in such a vastly different way.

L to R – “Tiger Drinking from A Stream” – Yumashiro Yuhi, October 1761, Ink, color, gold pigment on silk; “Bridge to Heaven 2006.2” – Arnold Chang, 2006, Ink on paper; “An Immortal’s Abode Above the Clouds” – Gong Xian, mid 1680s, ink on silk.

I want to see what someone creates who has a totally different life and totally different experiences than me.

“To Be Sold” – Titus Kaphar, 2018, Oil on canvas with rusted nails. References the sale of 6 enslaved persons belonging to a former president of the university on this site, 1761-1766.

I want to get my heart cracked open a little.

“A.M.X.” – Nancy Grossman, 1969-1970, Wood with nailed and stitched leather.

I want to go home and keep thinking for a while, not just of what I saw, but of what the artist stated their intentions were.

“Naga” – Tuan Andrew Nguyen, 2024, Primarily pounded and polished brass plates made from unexploded bomb metal and artillery shells.

I want to take in these feelings from another’s visions, and I want them to call to me, wash over me, not to drown me, but to pull me … me … to the surface.

“Painting” – Willem De Kooning, 1948, Enamel and oil on canvas.

This museum visit is the first chance I’ve had to get out and see art in a while. I’d forgotten how intense an experience it can be. How wonderful.

“Self-Portrait” – Robert Mapplethorpe, 1972, Photo silkscreen

The art pictured here is all from the recently reopened (10/31/2025) Princeton University Art Museum, located on the Princeton, NJ campus. The construction took three years, and was built on the same site where the previous museum had existed and was then razed.

“Dogariya – The Queen’s Guard, from the series Anima Project” – Marcia Kure, 2022, Kola nut, indigo, and watercolor on board.

The PUAM houses both classical and contemporary art from around the world. Art pictured here is only from two small special exhibits, one on photography and another on Willem de Kooning, and a larger exhibit of pieces recently donated or promised upon the reopening. Some of what I photographed was in the hallways connecting exhibits. One could spend days there. I’ll be going back.

Go find some inspiration. See new stuff. Be happy

Find more at the Princeton University Art Museum.

Where Do Butterflies Go at Night? – 2nd Edition

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It’s here! ”Where Do Butterflies Go at Night?” – 2nd Edition is now available. While newly designed and formatted, the book still has the same heartwarming story with the lush and magical illustrations of Stella Maris Mongodi.

Why a 2nd Edition? Due to “Butterflies” first publisher unfortunately closing their doors, my beautiful picture book would disappear or … I could save it. I wanted kids to be able to still read of a child’s rich imagination as to where butterflies went at night, and also how they could help them. I decided to purchase the illustrations and acquired permission to use them to self-publish my book.

The challenge? The dimensions of the original book are not offered by POD publishers. This meant a new size and gave me the opportunity to do a re-design. As a graphic designer and an artist, myself, I was able to re-create “Butterflies” in this gorgeous, new book.

Please consider welcoming “Where Do Butterflies Go at Night?” – 2nd Edition into your home and share the magic with a child, available on Amazon.

The Importance of Showing Up

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There are many reasons why we, as artists, don’t do our work, whatever our individual expression is. In the end, it all comes down to fear. I don’t think I need to go into any detail. You know what your own apprehensions are about bringing your beautiful creations to light, or even revealing them to yourself.

But waiting for “the right time” can end up being never. I remember many years ago, analyzing all the reasons why I procrastinated about certain things (most likely my art), and then the comment was, “Sometimes you have to just apply your butt to the chair and just do it.” Point well taken.

So get your tired, unkempt, pajama-clad (if applicable), unfocused, resistant self to wherever you have to be to create and show up for yourself. For your creative self. As unready as you are, get there, and allow something to happen. You’ll be OK. I’ll be pushing myself to do the same.

Meet you at the desk.