Seward Johnson Retrospective – Grounds for Sculpture IV

As promised, I will try, as time allows, to bring you some of the amazing works of the sculptor Seward Johnson. He is the founder of the Grounds for Sculpture Museum, which is largely outdoors, and in his 80’s, he continues to work today. A retrospective of his work has been on display for well over a year now, and I feel fortunate to have gotten to see the many pieces that will soon return to their homes around the world.

Just inside the Welcome Center is a large gallery of his works; all but two are based on famous paintings. Today’s post focuses on a few of the works inside the gallery.

SJohnson-BedroomAtArles2

What you see above is a 3-dimensional room created from Van Gogh’s painting, “Bedroom at Arles.” When you step inside the room, there are two shiny black footprints upon which to stand. I, (yeah, I know, shame on me), didn’t read any of the art notes provided, but obediently stood on the footprints anyway and photographed the installation. What I didn’t see until I got home, is that by taking the photo from that exact angle, the effect was that of the 3-D room being flattened to appear as Van Gogh’s painting.

SJohnson-InsideBedroomAtArles2

To me, the genius of this sculpture is not just in Johnson’s usual accomplishment of turning a 2-D painting into a 3-D sculpture, but in then finding a way to reverse it back to 2-D. Above is a photo I took inside the room where you can see that the bed is made up with a real blanket, pillows and sheets.

SJohnson-GirlWithPearlEarring2

Stepping back in time, we have Vermeer’s “Girl with A Pearl Earring.” Johnson sometimes uses a suspended real frame to perfectly surround the subject as he/she appeared in the original painting, while they sit in the proper pose.

SJohnson-MonaLisa2

In more than one example of his work, we see Johnson’s sense of humor, and his “Mona Lisa” installation is certainly one of them. Here she sits, nicely framed, as was our girl above. The guards you see below are, of course, part of the installation, but what about the other people in the photos?

SJohnson-MonaLisaGuards2

Maybe not so much! What is truly enjoyable as you tour the grounds and this gallery and see his work, is that you are frequently left wondering, “Is that person real?” In a world where only a base under their feet can indicate that the people might not be live, it’s not always so easy to tell. Sometimes you do have to come pretty close to be sure.

SJohnson-MonaLisaPhoto2

Who knew the Mona Lisa offered photo ops? I can’t help but think Da Vinci would have been amused.

SJohnson-MonaLisaBoots2

And who would have suspected that the Mona Lisa was a much more modern young lady than her rather serious portrait might indicate. Cheers to Seward Johnson! You put a smile on every person’s face that looked at this exhibit.

If these works appeal to you, I encourage you to go to Seward Johnson’s website where you can see all his works, often multiple views, and have a link to take you to the original painting upon which he based his sculpture.

More sometime soon …

Feeding Our Creative Selves

Delaware-Looking-North2

Those of you who stop by with any regularity often see at least one photo of the stash I garner after the Annual Library Sale. Not this year, but I did bring home some wonderful selections, adult, MG and YA, which were accompanied by another bunch of tantalizing books which my Library Sale Buddy offered me. (She opened her trunk like she had hot merchandise in there – dozens of books she’d read over the year, and was offering to me and other friends. It was pretty funny.)

RiverbankView2

A few days ago, I was ready to dive in to one of those picks and chose a book by John Irving, Cider House Rules. I’d seen the movie years ago, which was fabulous, but as I CloseToFamous-JoanBauer2began the book, it didn’t seem right. I wanted something that would feed my creative self, the me that wants to work on my Middle Grade novel. I put it back on the shelf and drew out the Joan Bauer MG novel I’d picked up, Close to Famous.

I like Bauer’s style – her characters are believable, palpable people you might know or like to get to know. No high drama, but real life in a compelling way. This would both feed my creative self and provide an enjoyable read.

 

For those of us who create, who aspire to bring something new and of value into the world, feeding that part of ourselves is so important. I know, for myself, it can also get sorely neglected when life’s demands are peaking, and Creative Me can get tossed into a corner like a shucked-off backpack, full as it is of wondrous things.

VictorianHome2

What writer isn’t enriched by reading, what artist by looking at art that inspires? Imagine a baker who doesn’t sample fabulous cupcakes, tasting every nuance of flavor, checking the texture for mouthfeel – how could she possibly produce truly delicious cupcakes herself without knowing what really good cupcakes taste like? It’s no different with us.

UpperBlackEddy2

Another way to feed our creative selves is to get out in nature — take a walk, take a drive to a nearby park, sit in your garden, watch a bird, a bee, a squirrel. Nothing fancy. Let the wonders of nature inspire you, help you feel at peace, connected. In that serenity, our creativity can come out to play.

I took the photos you see here on a recent walk – blue sky, sunny day – reminded me of the me that longs to create despite the daily demands of life. It was like a cupcake for my creative soul.

PathInWoods2

Take a little time for yourself, especially when you most think you have none. Treat yourself to a creative cupcake. Add extra sprinkles; be inspired.

The Scarecrow Contest

Scarecrow-Bride2Take a walk with me … on the pebbled brick paths through Peddler’s Village … and see what we found along the way to the carousel.

Each year the merchants hold a scarecrow contest, and in front of each shop or restaurant is a scarecrow – or two or three – which is their entry. Although I know there are different entry levels, as I noticed some were the handiwork of children, I don’t know much else. I was just appreciating the creativity of those who put these amazing, sometimes funny and sometimes scary, scarecrows together.

So come and dawdle along, and here are a few of the ones that caught my fancy.

 

Scarecrow-VampireWitch2

 

Scarecrow-PlaidShirt2

Both the above sat on hay bales outside the shop’s window.

Scarecrow-Knight2

Scarecrow-MaitreD2

This maître d’ stood outside one of the well-known restaurants.

Scarecrow-ShopMums2

The scarecrows may have been the main attraction, but every shop was completely decked out for Fall.

Scarecrow-BrideCloseUp2

And what a fetching bride she was!

It’s November – PiBoIdMo Month!

November is PiBoIdMo – Picture Book Idea Month! It’s the perfect time for aspiring, (or published), picture book writers to challenge themselves by coming up with an idea a day for the 30 days in November.

Established by children’s book author Tara Lazar, PiBoIdMo is a great way of really getting those creative juices flowing, and while you can certainly do it on your own, you can sign up for PiBoIdMo on Tara’s web site. It’s free, of course, but registering gives you the opportunity of winning some cool prizes including a critique of your ideas by an agent or editor in the children’s book field. There’s still time! Registration closes Nov.4th.

You can still follow along after that date, and check out the relevant daily posts on Tara’s site, but to be eligible for prizes you must register by Nov. 4th. Check here for complete details and to sign up.

I participated in 2010 – that’s a photo of my PiBoIdMo journal which has plenty of room left for my 2012 ideas – and was amazed at how many good ones I came up with! Some were less than brilliant, I admit, but quite a few were pretty interesting. I really enjoyed my own little PiBoIdMo kick-off which included reviewing some of those ideas. Just makes me want to write!

If you aspire to write children’s picture books, why not give it a go and watch your own creativity bloom?

 

Just Do It! (for you creatives out there)

As creatives, we often find ourselves stuck – like there’s something in front of us that we know we can only trip over. We don’t want to risk hurting ourselves so we don’t go forward. While staying in place is the seemingly safer path, in the long run it is far more painful. When we don’t try, we don’t grow. Not pushing through ultimately makes us frustrated, depressed, anxious – all the emotions that we don’t want to feel. Ironically, these are good things in the sense that they are signposts showing us the way …when we look at our writing pads, computers, sketchbooks, cameras, canvases, etc and feel those emotions, we see right where our issues are. Thank them and let them go.

As both an artist and a writer, I need to make time for my craft one way or another every day. Because I journal every morning, my writing skills are always kept well-oiled and in gear. While I do need to get new things down, edit and refine, it is much less effort because the fluidity is there. Or I blog, all so I can focus on my real craft, writing for children.

As for my drawing, that takes more effort. Many years ago, when I was in Pratt, our instructors had specific requirements of us students. From when we first took 2-D (drawing) in freshman year, we were required to have our sketchbook with us 24/7. And so we did. When I began to become more involved with photography in my junior year, we were required to carry our camera with us 24/7. Both these exercises had the same result – if you had it with you, you used it.

We began to draw and photograph each other, the cat, the campus, the subway – didn’t matter – it became a routine because that sketchbook or camera was attached at the hip. Admittedly, one felt like a fool after awhile having it there and ignoring it even when going through a dry patch. The bottom line is, make it easy for yourself, be kind, and without criticism, just do it.

All the moaning and excuses in the world won’t get any project advanced, but tinkering about with our craft will. What I’ve found is that even while we’re busily avoiding exactly what it is we truly need to get done, we can trick ourselves by doing something else. For example, I have a heap of work I want to do to strengthen my portfolio. It’s a big task and a lot to do. I really am psyched. But the enormity of it sets me back a bit. Should I do nothing? No – I decided to just draw other things – a little oil in the gears, and then I’m going.

This tree frog I drew has nothing to do with portfolio requirements. It had everything to do with actively kicking aside whatever might be there to trip me. So for all of us – take the back door approach if you will – draw, write, paint, doodle something … anything … just do it!