picture books

When I first planned on buying this book, I admit it was largely for the magnificent illustrations of Bagram Ibatoulline. I first came across Scarecrow’s Dance as a yet-unbound copy and part of an illustrating exercise at the NJ SCBWI Illustrators’ Intensive in 2008. I was, and still am, utterly entranced by the rich, yet soft, colors at dusk, and the beauty Ibatoulline has created in the cornfields and farm setting. If you are an illustrator or one who appreciates excellence in illustration, this book is worth the cost of that alone. And the story, in the brief exposure I had to it at that time, was so touching as to bring me to tears, and it still does.

I eagerly awaited it’s publication with my primary interest in the art. It finally arrived so I could appreciate both story and text. Jane Yolen is the author of Scarecrow’s Dance, and recipient of the Caldecott Medal for Owl Moon, and many, many other awards in her rich and extensive writing career for children. As I examined this book more closely, several thoughts did cross my mind … as beautiful as I found the illustrations, would they appeal to the target age group, 4 – 8? Would a child that age lose interest in the dusky light’s subtlety on page after page? Would a barn described “as red as blood” be disturbing to a small child? Might some parents find both a child and scarecrow kneeling and praying to God a predominantly Christian message they may not wish to read to their child in a picture book story?

I don’t actually know the answers to these. I found the overriding message to be of the greatest importance, and that is finding who we are and knowing our place in the world to be unique and one of value. I think a parent reading this story to a child with the feeling Yolen has put into it, will easily impart that as the primary message, and it is very beautifully done in both word and image.

I visited Jane Yolen’s web site, and found a wonderful section just for us writers – lots of sound advice to guide us on our journey to becoming not just published, but still sane when we get there. Kathy Temean, the RA of NJ SCBWI, also posted 20 Yolen writing tips as transcribed from the recent SCBWI Conference in New York. All great stuff.

And then, Bagram Ibatoulline. I kiss the ground this illustrator walks on. His work is simply magnificent. In addition to Scarecrow’s Dance, he has done two books by Kate DiCamillo, The Miraculous Journey of Edward Toulane and Great Joy. He illustrated a beautiful book, Crow Call, by Lois Lowry, The Serpent Came to Gloucester, and many, many others. Next time you’re in a bookstore, I highly recommend you take a look at Ibatoulline’s work.

Pete & Pickles, written by Berkeley Breathed, is one of the most touching picture book stories I know. It is the tale of a very proper pig, Pete, and a very free-spirited elephant, Pickles. The story is about friendship, forgiveness, healing, joy, and accepting the differences in others. But believe me, even this does not do justice to this wonderful book.

Pete, mourning the death of his pig wife, Paprika, finds himself, in the middle of a stormy night, with an escaped circus elephant hiding in his home. Pickles has made a muddy mess from the rainstorm. Pete cannot accept his overly tidy life being sullied. When the nasty circus clown comes to collect the terrified elephant, who had begged Pete for help, he just points in disdain. Yet she smiles at him as she’s led away. As Pete disinfects his home, he finds Pickles has left him a gift, and he gets to thinking. He reroutes his daily stroll into town to find Pickles.

A rescue ensues, and a friendship grows between the very unlikely pair. One of my favorite illustrations is that of Pete coming out in his pajamas to find Pickles doing Tai Chi in dawn’s glowing light. May I say, the illustrations are infused with the richest of color with all the little quirky touches you’d expect from Opus’ creator. On some pages there are also simple 2-color, pen and ink spot illustrations. The whole thing is just brilliant, and I am deeply touched each time I re-read this story.

But here’s what most reviews never mention … Breathed is tuned in to the horrific abuse suffered by elephants in the circus, and reveals it both subtly and on a level that children can relate to without being overwhelmed. When the evil looking clown stands in the entryway shadows to get Pickles, there is a glint on the metal bullhook in his hand. When Pete goes into Pickles’ tent, he finds her chained with heavy padlocks. She is not chained in the way circus elephants really are – chained standing in place 23 hours a day – but in a way which will engender empathy from a child to see so lovable an animal be both shackled and frightened in a picture book way. Adults unaware of the plight of circus elephants will probably never notice these touches, but for those of us who are, we can be grateful that someone has spoken for them in a children’s book.

Berkeley Breathed went up in my estimation X10 for not only writing a fabulous story in Pete & Pickles, but for opening the door to a child’s compassion for his or her fellow creatures. This is truly a must-have if you are a lover of children’s books – a parent, a writer, lover of fabulous illustrations, fan of Berkeley Breathed – or a lover of animals.

p.s. And a big thank you to one of my fellow PB writers, Paola, who so insightfully gave this to me as a gift.
p.p.s. Should you wish to know more about the abuse of circus elephants, you can check out a video showing the gratuitous violence inflicted by sadistic handlers in just one Ringling Brothers pre-show incident. This is not for children.