How Is Your PiBoIdMo Coming Along?

PiBoIdMoJournal2We’re halfway through November. For some writers, you are feverishly striving to complete your 50,000 words in NaNoWriMo (National Novel Writers’ Month). I have to say, while I need a swift kick in the butt to get writing as much as anyone from time to time, 50,000 words in one month is more of a kick than I’d ever want.

I much prefer PiBoIdMo, the picture book writer’s alternative for November – Picture Book Idea Month – created by Tara Lazar and in which we are challenged to come up with an idea a day for a picture book. (Though really, this could just as easily apply to ideas for novels, short stories, songs, etc.)  I find that the one idea per day happens most of the time, but sometimes the creative juices seem to produce two ideas today, brain too work-slogged for an idea tomorrow, two PB ideas the day following and so on. I just do my best to have a minimum of 30 ideas by the end of the month.

If you are doing PiBoIdMo, I suspect, like me, come Nov. 30 you find some of your ideas are laughably useless, some have a certain amount of potential, and some are actually quite promising. Where do you get your ideas from? Personal experiences past and present can inspire ideas, as well as family, friends, and pets, but also what’s going on in the world – news of all kinds, music, stuff you read. Sometimes, even an old story we’ve already written gives birth to a brand new – and better – idea.

Here’s the best idea – have fun doing it. And if this is the first you’ve heard of PiBoIdMo, join in and challenge yourself!

 

Letting Go and Making Room

Journal-BlkLime2More and more lately I’m looking around and wanting to let things go. Personal things. (Well, aren’t they all personal things?) OK, some very personal things. Journals, things related to past loves, books, and of course, clothing. There’s always clothing we could lose. I really am not someone with a lot of clothing, yet I want it gone.

The journals. As mentioned elsewhere in this blog, I journal almost daily. I write in the vein recommended by Julia Cameron of An Artist’s Way, and use it as kind of a morning dump. Get all the crap out of my head that’s swimming around unpleasantly so I can move on with my day. I find it quite healing, comforting, and if nothing else, it keeps me writing something. When I’m done one journal, I move on to the next that I have recently purchased. (TJ Maxx, BTW, always has a great selection of journals, if interested.)

The completed journal sits on a shelf with numerous others. But why save them? So today I was in the mood to skim through one of them to see if, indeed, I had left any pearls of wisdom behind before sending it to the great beyond, aka a dump of its own. Skimming reveals certain patterns – things that I have been struggling with over the time period it covers, my search for answers, where I find clues, what I’ve accomplished, what’s made me happy, where I’m going, and what’s keeping me from getting there. It yielded one important piece of information about a medical issue, so I ripped that page out.

And now I can give this journal the old heave-ho. There’s several more that I think will get the boot in the next day or so. It will open up a small bit of physical space, but more importantly, it will open up space in me. Letting go is always helpful. Not to say we shouldn’t preserve some memories, but at a certain point, they’re not even us anymore. Do they matter? Do they all matter? or can we just let some go?

Because when we let go, we make room for what we want to come in. We are always in transition, at some times more intensely than at others. But when we’re looking to grow and change, making room in our hearts, our minds, and even the actual space in our homes can be welcoming. It can be a little scary. It can be very good. We have to be willing to … just … let … go.

 

 

Musings on the NJ SCBWI June Conference – I

I can hardly believe t’s been a week already since I’ve returned from the 2-day children’s book conference in Princeton. I know I’m not alone when I say I come home exhausted, exhilarated, optimistic, grateful, exhausted, happy, enriched, hopeful, challenged, and oh .. did I mention exhausted?

ExhaustedWoman-AntonioGuillem2

Jumping into my standard 40+ hour work week the very next day does not leave a lot of time for reflecting on all that transpired, reviewing materials, notes from critiques, etc. But numerous thoughts and conclusions were ribboning through my mind on and off all week long, even while I looked forward to this weekend to catch up on some rest and start seriously considering where I was going with children’s books.

And a direction became clear. One of the big attractions of the New Jersey SCBWI Conference is that we offer “one-on-ones” to both writers and illustrators. This is often the focal point of the weekend for those writers who wish a detailed critique from agents and/or editors on their children’s books and illustrators who can have art directors review their portfolios. This year, I went full steam ahead and booked two agent critiques for my middle grade novel and one editor critique for a picture book I’m working on. Of the three critiques, one was so incredibly helpful, I was just thrilled.

In the past I have submitted manuscripts that were as finished and polished as I could get them. They’d been looked at by my critique partners, gone through numerous revisions, and perhaps even been seen at previous conferences. This year was different. The picture book is in the very early stages of development and I sought some insight  and direction. The novel had once been a picture book, and through a number of professional critiques had moved through the chapter book phase to its true calling, middle grade. But I had questions, and I wanted to hear an agent’s opinion.

ADogsPurpose-WBruceCameron2The good news is that one agent confirmed my story is unique and not on the market, and she really liked the concept. The not-surprising news is I have a lot of work ahead of me, as in, now I have to write the rest of the book! This agent really paid attention when looking at my synopsis and the first 15 pages of my manuscript, and offered solid advice. I also came armed with lots of questions, and the ensuing discussion helped to highlight areas I need to focus on, existing concepts I might change to improve it, etc. So for that critique alone, the conference was worth it.

Am I writing today? Not yet. But I am making a plan on how I’m going to get this book written. One aspect of the plan is what I read. You know how you sometimes buy a book but when you get it, you know it’s not the time to read it and temporarily shelve it? The book I need to read right now is pictured here, A Dog’s Purpose.  It was recommended to me at least 4 years ago by the CSR of one of the major printers I work with in my capacity as a graphic designer. As little time as she and I had to chat beyond the work-related, she highly recommended this book for me, and said she knew I’d love it on every level. I know the timing is now perfect and reading it will also enrich the story I’m writing.

More on the conference here …

 

 

 

 

Dreams …

“If one advances confidently in the direction of his dreams, and endeavors to live the life which he has imagined, he will meet with a success unexpected in common hours. He will put some things behind, will pass an invisible boundary; new, universal, and more liberal laws will begin to establish themselves around and within him; or the old laws be expanded, and interpreted in his favor in a more liberal sense, and he will live with the license of a higher order of beings.”

― Henry David Thoreau, Walden

Statue-ChildReading

With the annual New Jersey Society of Children’s Books Writers and illustrators (NJ SCBWI) June Conference on the horizon one has to think – there is something so amazing about so many individuals all streaming into one location from all over the country for a single purpose – to share, to learn and to grow in the one thing that unites us all – children’s books. We meet old friends and make some new, share and see amazing illustration, and have the opportunity to sit in workshops and at lunch tables, not just with our peers, but with editors and agents from some of the finest publishing companies and agencies in the U.S. Cheers to us all!

History through the Back Door (or how I’ve come to love historical fiction)

If you had asked me 5 or 6 years ago if I liked historical fiction, my answer would have been “Meh.”

Sadly, I was effectively turned off to all things history as a child, when my first learning experiences labeled “History” were nothing more than an endless dry and boring series of names, dates, places and events to be absorbed and later regurgitated on tests. In retrospect, our teachers had to cover 7 or 8 different subjects daily, so what were chances that any of them would be a real history buff and would teach us history with great enthusiasm and insight? Apparently, pretty slim.

KiteRunner-KHosseiniIt wasn’t until college when I had an exceptional professor who taught Contemporary Civilization in the context of art, (I was at an art school), and for the first time someone teaching history had neurons in my brain firing rapidly. History suddenly came alive! Unfortunately, at that point, I had very little mental framework in my brain to hang it on. But I started to take an interest in the subject.

What really kicked my interest into high gear has happened in more recent years when I would come across a novel set in a particular place and time period, so rich and textured, that I wanted to learn more. One of those books was The Kite Runner by Khaled Hosseini, and it sent me flying to the internet to learn about the Afghani people and what was transpiring in Afghanistan during the time this novel took place. I cannot recall the country of Afghanistan mentioned once in history or geography in my childhood education, but now, here was a piece of fascinating history.

ShanghaiGirle-LSee2The two novels that recently afforded me that desire to delve into history were those by author Lisa See, Shanghai Girls and Dreams of Joy.The first novel begins when Shanghai was known as the Paris of Asia, and sisters May and Pearl were  “beautiful girls”, models. With their father having lost all their money, the sisters, with their mother, must flee Shanghai as the Japanese invade China. The sisters were forced to emigrate to the United States in arranged marriages. From their interment on Angel’s Island to creating lives for themselves and their families in Los Angeles’ Chinatown, we follow the complex relationship of Pearl and May and Pearl’s daughter, Joy.

In Dreams of Joy, Joy, now in college and angry at her family’s deception and distraught over one family member’s suicide, secretly runs away to China to find her true father. Her studies have convinced her that Communism is the best of all systems, and she is determined to start her own life, although  DreamsOfJoy-LSee2she is soon to be profoundly discouraged and isolated. Pearl leaves the states to search for her daughter, encountering endless roadblocks along the way. The backdrop of much of the novel is the time under Chairman Mao and The Great Leap Forward, a time of alleged progress in which a famine took the lives of millions of Chinese people. (From Wikipedia – “The Great Leap ended in catastrophe, resulting in tens of millions of deaths, estimated from 18 million to 32.5 or 45 million. Historian Frank Dikotter asserts that “coercion, terror, and systematic violence were the foundation of the Great Leap Forward” and it “motivated one of the most deadly mass killings of human history”.)

Lisa See writes about family and relationships and this alone would have held my attention, but told against the backdrop of both China and the United States in times of political change and turmoil of every kind, I searched to know more. My knowledge of history is still spotty, but through the pages of beautifully written historical novels, I continue to learn. It seems history stands at my back door, always with a hand raised, always ready to knock.