Writing What We Know

July 15, 2014 / still a dreamer / 17 Comments

This started out to be about three aspects of writing what we know, but I see that it would be a ridiculously long post. So I’ll divvy it up and start with a fairly recent example. I received a lovely personal response from an editor at one of the publishing houses represented at an NJ SCBWI event. I am very appreciative to receive such a thoughtful and detailed reply, although, of course, I wish it were better news. She complimented me on tackling a difficult subject, but found it a bit melancholy and added that quiet stories were not selling much in the picture book market these days. Happily, she was also very encouraging about my writing and my pursuing it.

This is where writing what we know comes in. What I know – one of the things, anyway – is about animals and their ability to affect us profoundly, both personally and through literature and imagery. This particular picture book story has a wonderful magical element to it and healing on several levels. While I don’t see it as melancholy, it still behooves me to pay attention to the perception and opinion of one who lives and breathes children’s books. But what stops me is the “quiet story” part.

I like quiet stories. I like funny stories, too, but I also like something that touches the heart and soul in some way, something that’s real, that’s a reflection of what children go through in their young lives. I get that kids like funny and action-filled, but what about the other aspects of a child? Are we no longer looking to feed that as well? Are our increasingly fast-paced and digital lives crushing the inner lives of picture-book age kids? (OK, maybe that’s extreme, but then again …)

As writers, we certainly need to be aware of the trends in the industry and what the market is looking for, otherwise we can be twirling about in our own stew of ideas that will never get published. At the same time, we need to consider what “writing what we know,” (the advice we are always given by editors and agents), actually means and where it fits in what’s being published. It’s a challenge to all of us. So I look at the body of work I have to date. Maybe it’s time to let some of my stories go; maybe I haven’t sent them out often enough and/or to the right publisher/agent who will appreciate a particular “quiet story.”

So where does the rubber hit the road? Where do writing what we know and what’s being published intersect?

Children’s Books and Fused Glass

May 17, 2014May 18, 2014 / still a dreamer / 6 Comments

The journey of writing and illustrating children’s books, as in any serious endeavor, has been packed with a wide variety of experiences. The learning curve has been tremendous between a writer’s critique group, caring support from fellow writers and artists, and the many opportunities to grow offered through the SCBWI, (Society of Children’s Book Writers and Illustrators.)

Conferences, workshops, individual critiques and sometimes just time to sit down and talk with professionals in our field have given us all hope and sustained us on the road to being published and beyond. I consider myself very fortunate that, in the time I have belonged to the SCBWI, my New Jersey chapter has been extremely pro-active in providing so many ways to become involved in the world of children’s books.

Our current NJ SCBWI Regional Advisor recently put together a really fun workshop at the Fire Me Up glass studio. It was a chance to create something new and to also sit down and brunch with the Executive Editor of Children’s Books at Sterling Publishing of NYC, Meredith Mundy. And getting there early gave my friend and I the opportunity to sit right opposite her and talk about all manner of things. It was a friendly gathering of about 20 writers and artists in the children’s book field, some published, some not yet, trying our hand at a glass project while talking about our favorite subject.

After brunch and getting instructions about our projects, Meredith chatted with us, talked about changes in the industry, what Sterling was looking for as well as what she, in particular, was looking for in terms of stories and subjects. And when our afternoon was done, we were each given our individual critiques of whatever manuscript we had submitted ahead of time.

Meredith’s critique was very helpful and included wonderful insights and detailed suggestions for improvement, really challenging me to expand the ideas I was already working on, while acknowledging what I’d already accomplished. What a treat! I have since been working hard on my MS, getting ready to make a pacing dummy, and sketching my main characters for still new insights.

And what about the fused glass project? We had a variety of options to choose from, and I took a fairly simple one so I could focus on the conversation around me. (You don’t want to lose attention when you’ve got such a talented Executive Editor sitting across the table!) One of the options was a glass votive holder, and as a candle lover, this seemed perfect. So with an 8″ square piece of clear glass and a variety of jewel-colored glass in the form of spaghetti, linguine, flat marbles, small chunks and other possibilities, I made what you see here. TaDa!

If you are an aspiring author or illustrator in the area of children’s books, I encourage you to look into and join the SCBWI, take a look at what’s going on in your own state, get involved and amp up your learning curve and grow!

Coming Home and (Re)Finding My Path

April 20, 2014 / still a dreamer / 3 Comments

That may sound like a contradiction in terms, but actually, it’s two different subjects.

Coming home? That would be coming home to cooking and trying something new.

Here you find my first effort at scratch vegan pancakes. They look pretty yummy, but in fact, were only okay. Granted, that is because the ingredients are quite different than what I’m used to. There are no eggs, instead Ener-G Egg Replacer; almond milk instead of real milk, and the least problematic, Earth Balance instead of real butter. We are very used to our fats and dairy, and eggs and butter do make a difference in taste. For a first effort, I’m okay with them, because I know what I have to do is learn how to adjust the recipe, as I always have, to make something taste better. Maybe soy milk instead of almond, maybe a touch of vanilla. I’m not giving up yet. And the texture was perfect.

I only regret I don’t have more time to cook and noodle around with things, but sooner or later, I’ll find it.

(Re)finding my path? That would be getting back on track in children’s books – setting new goals and timelines for illustrating, dummying and re-working specific stories; finding publishing houses and agents who are a good match for my work. It’s a lot of work, but it’s good work. Being on our path is always a good thing.

So after a stimulating breakfast with one of my children’s book buddies, I returned home and cleared off and cleaned both my work/art desks, sorted out where I’d left off on my projects, and yup, made a new plan, Stan! I wasn’t the only one who had plans for my studio chair … one kitty named Jazzy wanted in on the action. OK by me. Well, OK until Mama needs the chair and then there’s that lovely patch of sun by the window.

Horse Sketch – Keeping My Hand In

February 9, 2014 / still a dreamer / 4 Comments

Sometimes there is just too much to do … as I’m sure any of you can attest. Between work and shoveling snow … and shoveling snow … and shoveling snow … and just taking care of day to day life, things that really matter can sometimes be sitting on the sidelines. Children’s books are always in my head, so if I don’t have the time to be writing or dummying, illustrating or prepping something to send to an agent or editor, I can do something else … I can turn out a sketch.

This sketch is of a bay pony at water’s edge and from a calendar given to me by a friend who is so helpful in keeping me inspired to write. Well, this time, I drew, but that’s OK, because I’ve still got my hand in.

Journaling

November 6, 2013 / still a dreamer / 4 Comments

While I try to blog as often as I can, I truly try to do this every single day … journal. I’d been journaling in the past, but what cinched my greater commitment to it was when I read The Artist’s Way by Julia Cameron. She gives her creative readers two assignments, the first of which is to journal daily. I start early and journal first thing before life about me is afoot. Well, right after making coffee and feeding very insistent animals. I curl up and prepare for my day … journal, some spiritual work, enlightening reading … whatever gets me on track.

Journaling and blogging have two entirely different functions. When I blog, I try to bring something enjoyable, enlightening and/or perhaps educational to my visitors. I’d like to make your stopping by worth your while, always knowing not everything I write will appeal to everyone. I enjoy writing and love photography, and hope that what I share appeals in some way.

When I journal? I am doing what Julia Cameron refers to as a “morning dump,” that is, getting rid of all the crap that is running around in my head – whatever needs to be pulled out and gotten rid of. She suggest writing – always by hand, of course – 3 full pages. I have no strict limits, but write until I’m done, when I’ve committed to paper what I don’t want in my head. It’s surprising what a difference it can make to leave our trials and tribulations on the page. It’s quiet when I journal … most are not yet up … this time is mine. And so my day begins.

What do I journal in? That has varied as well, but what I’ve found I prefer most is something with a spiral binding so I can fold it back and write easily while balancing a coffee mug and maybe an earlier-mentioned animal who has their own additions to make to the journaling process. These journals can be had inexpensively at the local supermarket, (see above), or at times I’ve treated myself to a more exotic journal in gold and what looks like silk that I’d gotten from Two Buttons awhile back.

I wholeheartedly recommend journaling for anyone. You don’t have to like writing nor be good at it; you only have to want to clear out your head for the day ahead. It can make a difference. Do I go back and read what I’ve written? Rarely. My journal also isn’t a memoir. Merely a way to make my day a happier and/or more sane one, and who wouldn’t like that?