After the Writing Conference …

The first thing to happen is your brain starts to slowly disintegrate on the way home. Once in the door, you need to tend to anything that needs tending to because your body is following close behind and is not going to be in an upright position too much longer. From stress? Nope – from the incredible rush of attending a two-day conference for writers and illustrators of children’s books. It’s exhausting alright, but in a good way.

Each June my New Jersey chapter of the SCBWI (Society of Children’s Book Writers and Illustrators) holds its big event. There are workshops, round tables, one-on-one critiques, a juried art show, portfolio display, keynote speeches, and more. This year, in choosing my workshops I focused entirely on writing in picture books. Other years, I have mixed things up and taken workshops in middle grade and young adult writing, picture book illustration, marketing/social media, and more. There were some truly fabulous speakers this year who inspired me and will keep me thinking long after the conference.

A highlight of the NJ event for many attendees is the availability of having one-on-one critiques, something not offered at all SCBWI (or other writing) conferences, and I picked very well this year. The picture book I submitted seemed a very good fit for Charlesbridge Publishing, and my mentor was outstanding – knowledgeable, insightful, and beyond helpful. Did I mention thorough? Yes, very thorough. A good editor or agent really knows how to show you where you need improvement without destroying your soul, acknowledge all the things that are right with your manuscript, and point out directions that will help you make your story perfect. And that I got.

The big challenge after a conference like this, for me, anyway, is to keep the momentum and all that excitement going because Monday morning rolls around pretty quickly and I am back at my desk writing and designing for everyone else, i.e., my clients. However, one of the first things I did Monday was to hit the library. I was picking up an adult novel I’d requested on inter-library loan, Before We Were Yours, and also a number of picture books that had been recommended by my mentor and other workshop leaders along the way. I also requested a few more from our main library. (As I did not take any photos of the event, I have included a handful of those books here.) I plan to read them over the next couple days for both enjoyment and to understand what makes them really good picture books. There is always much to learn.

Over the next few days I will revisit the MS I submitted and all my mentor’s notes and look to see how I can make my story shine yet brighter. For all the praise she gave me for this picture book, and there was plenty, it wasn’t enough – at least not yet – to be the one Charlesbridge wants to publish. Not yet.

 

The Importance of Place in A Novel

One of the very compelling features in a good novel can be place, where an author writes with such depth and attention to the environment inhabited by his characters that the location becomes a character all its own. I just finished The Ice Bridge by D.R.Macdonald, and was amazed at how quickly he had me immersed in the landscape of Cape Breton in Nova Scotia. This is an outstanding book in so many ways, not least of which was my having moved to the harsh, wintry landscape of Cape Seal Road right along with one of the main characters, Anna.

The intensely rich descriptions of the land and the nearby sea in every mood and facet imaginable captured my imagination. Anna is an artist, moved here from California, leaving her soon-to-be ex to rediscover her artistic self. Her drawings of the landscape, animals, and the many found objects she retrieves from both water and shore, further expand the reader’s feel for Cape Breton.

The story of her settling into the “weather-wracked” house once belonging to next door neighbor Red Murdock’s grandmother is a story in and of itself. While the jacket flap is right in saying it’s a story about love after love, it is also a story about a fading Scottish culture which once thrived in the area, and the changes that modern life has exacted on its residents. Each character in this small, somewhat forgotten community adds to the sense of place in Macdonald’s novel. He is, in my opinion, a brilliant writer who has seemingly effortlessly made me care about his characters in this slowly unfolding tale.

When Anna does something extremely foolish, it is hard to criticize her because the author has already portrayed her so completely and compassionately that we can only wonder what would make her do such a thing. The characters are real, and the conflict builds slowly through the friendships, past loves, danger, pain, and wonder of them all. And always the sea and sky, forest and field, so beautifully, beautifully rendered, from the challenges of winter through the final warming of spring in July.

What a masterful writer! What I also loved about this novel was Macdonald builds the suspense to the very end, and even with the ending given us, one can still wonder what might happen next. This is one where I was sorry to close the book and leave what I’d come to love in Cape Breton.

How Is Your PiBoIdMo Coming Along?

PiBoIdMoJournal2We’re halfway through November. For some writers, you are feverishly striving to complete your 50,000 words in NaNoWriMo (National Novel Writers’ Month). I have to say, while I need a swift kick in the butt to get writing as much as anyone from time to time, 50,000 words in one month is more of a kick than I’d ever want.

I much prefer PiBoIdMo, the picture book writer’s alternative for November – Picture Book Idea Month – created by Tara Lazar and in which we are challenged to come up with an idea a day for a picture book. (Though really, this could just as easily apply to ideas for novels, short stories, songs, etc.)  I find that the one idea per day happens most of the time, but sometimes the creative juices seem to produce two ideas today, brain too work-slogged for an idea tomorrow, two PB ideas the day following and so on. I just do my best to have a minimum of 30 ideas by the end of the month.

If you are doing PiBoIdMo, I suspect, like me, come Nov. 30 you find some of your ideas are laughably useless, some have a certain amount of potential, and some are actually quite promising. Where do you get your ideas from? Personal experiences past and present can inspire ideas, as well as family, friends, and pets, but also what’s going on in the world – news of all kinds, music, stuff you read. Sometimes, even an old story we’ve already written gives birth to a brand new – and better – idea.

Here’s the best idea – have fun doing it. And if this is the first you’ve heard of PiBoIdMo, join in and challenge yourself!

 

Letting Go and Making Room

Journal-BlkLime2More and more lately I’m looking around and wanting to let things go. Personal things. (Well, aren’t they all personal things?) OK, some very personal things. Journals, things related to past loves, books, and of course, clothing. There’s always clothing we could lose. I really am not someone with a lot of clothing, yet I want it gone.

The journals. As mentioned elsewhere in this blog, I journal almost daily. I write in the vein recommended by Julia Cameron of An Artist’s Way, and use it as kind of a morning dump. Get all the crap out of my head that’s swimming around unpleasantly so I can move on with my day. I find it quite healing, comforting, and if nothing else, it keeps me writing something. When I’m done one journal, I move on to the next that I have recently purchased. (TJ Maxx, BTW, always has a great selection of journals, if interested.)

The completed journal sits on a shelf with numerous others. But why save them? So today I was in the mood to skim through one of them to see if, indeed, I had left any pearls of wisdom behind before sending it to the great beyond, aka a dump of its own. Skimming reveals certain patterns – things that I have been struggling with over the time period it covers, my search for answers, where I find clues, what I’ve accomplished, what’s made me happy, where I’m going, and what’s keeping me from getting there. It yielded one important piece of information about a medical issue, so I ripped that page out.

And now I can give this journal the old heave-ho. There’s several more that I think will get the boot in the next day or so. It will open up a small bit of physical space, but more importantly, it will open up space in me. Letting go is always helpful. Not to say we shouldn’t preserve some memories, but at a certain point, they’re not even us anymore. Do they matter? Do they all matter? or can we just let some go?

Because when we let go, we make room for what we want to come in. We are always in transition, at some times more intensely than at others. But when we’re looking to grow and change, making room in our hearts, our minds, and even the actual space in our homes can be welcoming. It can be a little scary. It can be very good. We have to be willing to … just … let … go.

 

 

Musings on the NJ SCBWI June Conference – I

I can hardly believe t’s been a week already since I’ve returned from the 2-day children’s book conference in Princeton. I know I’m not alone when I say I come home exhausted, exhilarated, optimistic, grateful, exhausted, happy, enriched, hopeful, challenged, and oh .. did I mention exhausted?

ExhaustedWoman-AntonioGuillem2

Jumping into my standard 40+ hour work week the very next day does not leave a lot of time for reflecting on all that transpired, reviewing materials, notes from critiques, etc. But numerous thoughts and conclusions were ribboning through my mind on and off all week long, even while I looked forward to this weekend to catch up on some rest and start seriously considering where I was going with children’s books.

And a direction became clear. One of the big attractions of the New Jersey SCBWI Conference is that we offer “one-on-ones” to both writers and illustrators. This is often the focal point of the weekend for those writers who wish a detailed critique from agents and/or editors on their children’s books and illustrators who can have art directors review their portfolios. This year, I went full steam ahead and booked two agent critiques for my middle grade novel and one editor critique for a picture book I’m working on. Of the three critiques, one was so incredibly helpful, I was just thrilled.

In the past I have submitted manuscripts that were as finished and polished as I could get them. They’d been looked at by my critique partners, gone through numerous revisions, and perhaps even been seen at previous conferences. This year was different. The picture book is in the very early stages of development and I sought some insight  and direction. The novel had once been a picture book, and through a number of professional critiques had moved through the chapter book phase to its true calling, middle grade. But I had questions, and I wanted to hear an agent’s opinion.

ADogsPurpose-WBruceCameron2The good news is that one agent confirmed my story is unique and not on the market, and she really liked the concept. The not-surprising news is I have a lot of work ahead of me, as in, now I have to write the rest of the book! This agent really paid attention when looking at my synopsis and the first 15 pages of my manuscript, and offered solid advice. I also came armed with lots of questions, and the ensuing discussion helped to highlight areas I need to focus on, existing concepts I might change to improve it, etc. So for that critique alone, the conference was worth it.

Am I writing today? Not yet. But I am making a plan on how I’m going to get this book written. One aspect of the plan is what I read. You know how you sometimes buy a book but when you get it, you know it’s not the time to read it and temporarily shelve it? The book I need to read right now is pictured here, A Dog’s Purpose.  It was recommended to me at least 4 years ago by the CSR of one of the major printers I work with in my capacity as a graphic designer. As little time as she and I had to chat beyond the work-related, she highly recommended this book for me, and said she knew I’d love it on every level. I know the timing is now perfect and reading it will also enrich the story I’m writing.

More on the conference here …