French Bulldog Christmas Cards

StrangerInTheSnow2You’ve been searching – now you’ve found them! Visit my Etsy shop for my Stranger in the Snow French Bulldog holiday cards and other designs, all with my original artwork, reasonably priced, and ready to go!

Who doesn’t love sending Frenchies or receiving them, especially when they’re so adorable?

Breeze through checkout with PayPal, credit cards, Etsy gift cards and more. Easy, fast, and everyone will want to know where you found these cuties.

That spot is right here! Looking for a gift? Check out my Frenchies Après Monet or Frenchies Après Rousseau blank notecards or a French Bulldog journal! You will be very much appreciated.

 

The Scarecrow Contest

Scarecrow-Bride2Take a walk with me … on the pebbled brick paths through Peddler’s Village … and see what we found along the way to the carousel.

Each year the merchants hold a scarecrow contest, and in front of each shop or restaurant is a scarecrow – or two or three – which is their entry. Although I know there are different entry levels, as I noticed some were the handiwork of children, I don’t know much else. I was just appreciating the creativity of those who put these amazing, sometimes funny and sometimes scary, scarecrows together.

So come and dawdle along, and here are a few of the ones that caught my fancy.

 

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Both the above sat on hay bales outside the shop’s window.

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This maître d’ stood outside one of the well-known restaurants.

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The scarecrows may have been the main attraction, but every shop was completely decked out for Fall.

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And what a fetching bride she was!

The Carousel

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Sometimes we have to indulge ourselves a wee bit. So after all but shackling myself to my Mac all week long, faithfully taking care of my clients’ needs, I am sharing something that I have always found nothing short of magical – a carousel.

From when I was a small child and our family went every year to a nearby amusement park on my birthday, the greatest attraction for me was always the carousel. Of course … it had horses, music, lights … what’s not to love?

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The carousel you see in the photos here is a P.T.C. carousel, i.e., made by the Philadelphia Toboggan Company, one of the greatest and most historic manufacturers of carousels in this country. And although I would love to visit Jane’s Carousel in Brooklyn, this one is much closer, a bit more than a half hour away in Lahaska, PA.  P.T.C. #59, as this carousel is known, was built in 1922, and has been in numerous places around this country, but found its current spot in Peddler’s Village in 1998; it includes forty-six hand-carved wood figures, by Master Carver Ed Roth from Long Beach, CA.

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Perhaps all these photos are a bit indulgent, so feel free to pass on if you choose. But if you find carousels as magical as I do, hop on for a ride. I’ll only say I’ve saved my favorite horse for last.

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It was becoming late in the day, and the sun was lowering in the sky, creating some unavoidable light and shadow contrast.

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The carousel had a goat, rooster, pig, cat, rabbit, and a few others, but I have never been as enamored of any of them as I have the horses.

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The most stunning of all …

Writing What We Know

This started out to be about three aspects of writing what we know, but I see that it would be a ridiculously long post. So I’ll divvy it up and start with a fairly recent example. I received a lovely personal response from an editor at one of the publishing houses represented at an NJ SCBWI event. I am very appreciative to receive such a thoughtful and detailed reply, although, of course, I wish it were better news. She complimented me on tackling a difficult subject, but found it a bit melancholy and added that quiet stories were not selling much in the picture book market these days. Happily, she was also very encouraging about my writing and my pursuing it.

Simon's Secret Illustration by JeanneBalsamThis is where writing what we know comes in. What I know – one of the things, anyway – is about animals and their ability to affect us profoundly, both personally and through literature and imagery. This particular picture book story has a wonderful magical element to it and healing on several levels. While I don’t see it as melancholy, it still behooves me to pay attention to the perception and opinion of one who lives and breathes children’s books. But what stops me is the “quiet story” part.

I like quiet stories. I like funny stories, too, but I also like something that touches the heart and soul in some way, something that’s real, that’s a reflection of what children go through in their young lives. I get that kids like funny and action-filled, but what about the other aspects of a child? Are we no longer looking to feed that as well? Are our increasingly fast-paced and digital lives crushing the inner lives of picture-book age kids? (OK, maybe that’s extreme, but then again …)

As writers, we certainly need to be aware of the trends in the industry and what the market is looking for, otherwise we can be twirling about in our own stew of ideas that will never get published. At the same time, we need to consider what “writing what we know,” (the advice we are always given by editors and agents), actually means and where it fits in what’s being published.  It’s a challenge to all of us. So I look at the body of work I have to date. Maybe it’s time to let some of my stories go; maybe I haven’t sent them out often enough and/or to the right publisher/agent who will appreciate a particular “quiet story.”

So where does the rubber hit the road? Where do writing what we know and what’s being published intersect?

 

Stieg Larsson – The Millennium Trilogy

GirlWDragonTattoo2What a writer! Oh, my. Talk about books you cannot put down.

I just finished The Girl Who Played with Fire, not all that much later after reading The Girl with the Dragon Tattoo*. Is it any wonder Larsson won so many awards? He was truly a masterful writer. Not only does he have that whole end-of-the-chapter-page-turning thing going on big time, but he is able to effectively flip back and forth into different places and characters’ situations in rapid succession, never losing, but rather only building, the momentum of the story.

The fact that the names of the characters and frequently referenced locations are all Swedish and unfamiliar to the English-speaking reader still does not slow one down. Larsson periodically goes into paragraphs of description, such as in his providing the background of each member of the murder investigation team under Bublanski in The Girl Who Played with Fire, but that doesn’t seem to slow you down either. The information proves to be relevant later on in the story, but in the hands of a lesser writer, such descriptions might leave one meandering and lost down some other path. Larsson’s twists and turns keep you turning the pages and reading far later in the night than you should.

GirlPlayedWithFire2His characters are engrossing, particularly, of course, the main character, Lisbeth Salander, a brilliant computer hacker with a profoundly painful past. She can be violent, yet is at the same time, highly moral, and always complex and challenging. Mikael Blomqvist, the investigative journalist, is also compelling in his own way, but more so, I believe, in his relationship to Lisbeth. The trilogy is classified as crime thrillers/murder mysteries, and, of course, this is true, but for me, I also found them fascinating character studies.

Sometimes we have to be in the mood for a certain kind of book – I don’t always feel like reading a crime thriller any more than I do any other genre. But if you are in the mood, these are books you will not easily put down. I was lent the first two by my neighbor, but for the third, The Girl Who Kicked the Hornet’s Nest, I will need to go to the library in town. Starting Monday morning, I am committed to being home for the tree people to come at a currently unspecified time to remove a very large and threatening dead branch high up on an older spruce next to my home. Start a new book? Wait to get to the library? All life’s decisions should be this enticing.

* The movie version of this book with Rooney Mara and Daniel Craig is also outstanding, in my opinion.