What a terrific read! In The Mermaid Chair, Sue Monk Kidd has given us a tale of a woman searching for her lost soul. Jessie Sullivan, the main character, tells us her story in first person … that of a woman deeply restless in her marriage, lost and unhappy. She is called back to the place where she grew up, Egret Island, by friends of the family on the occasion of her mother having taken a meat cleaver and chopped off one of her fingers.
Once at the island, the plot really unfolds with this bizarre mystery, Jessie’s unforeseen attraction to a monk, her struggle with her relationship with her husband of many years, the riches of female friendship, and the mermaid chair itself. Not the least of it all, is the magnificent description of place.
For the duration of this book, I was immersed in the physical life of Egret Island, an imaginary place off Charleston, South Carolina. Monk has nothing short of an exquisite use of words in describing the island, the marshes, birds, and sultry air. I am truly in awe of her ability to bring me to a place that lives and breathes so, that surrounds me while I read. For this, I was sorry when the book ended … I loved being there.
With a richness of characters in the women – Nelle, (Jessie’s mother), friends Hepzibah and Kat, and Kat’s daughter, Benne- The Mermaid Chair weaves the mystery — what caused her mother to brutally attack her own body this way? And then, how is Jessie Sullivan attracted to a monk? Brother Thomas/Whit is also wonderfully drawn, as is Jessie’s husband Hugh. While Jessie struggles, searching for answers in her own life as well as for her mother, she paints. And paints, in ways she’s never seen herself do before.
The Mermaid Chair is described as a coming-of-middle-age novel, which could sound kind of ho-hum unless in the hands of a very skilled writer. Have no fear – Sue Monk Kidd is that writer. It really is a book I couldn’t put down and was reading past the hour when I should have been asleep. It simply has everything … a deep mystery, love and passion, the bond of female friendship and a search for one’s soul.
When all is said and done, other than Monk’s exceptional writing, the most compelling comparison I could make between The Mermaid Chair and The Secret Life of Bees, is that I truly never knew how it was going to end. And that’s a good thing.
Here’s a fine case of not judging a book by its cover, or better said, an author by her previous book. The Secret Life of Bees by Sue Monk Kidd was going to be a hard act to follow. There isn’t a soul I know who didn’t think Bees wasn’t one of the best books they’d read in a long, long time. When The Mermaid Chair arrived on the scene, there seemed to be a consensus that, before even reading it, Kidd’s new book would not be able to compare to The Secret Life of Bees.
Here’s where I’ve hitched my star – writing and illustrating children’s books – picture books, chapter books. Yet belonging to a writer’s group and SCBWI, in the company of readers and writers of other children’s genres, I find myself being drawn to those I don’t write… MG and YA fiction. And what a draw it is. My local librarian and I were discussing some of our mutual interests, and she recommended the YA novel The Absolutely True Diary of a Part-Time Indian by Sherman Alexie. I was just blown away by this book and can’t wait to read more by its author.
There’s always something a bit sad about finishing a book. Maybe the word is empty. For so many pages we’ve been engrossed in others’ lives, an adventure, an intimate voyage through the eyes of another … the story reaches its peak then twists, turns, slips into its resolution. The last page. And it’s done. Sigh. Can’t there be more? (At least for the really good books.)
Fast forward to a stop at my local library to try and find some reference material for an illustration I’ll need to start. There, among some book jackets featured in a display, a word jumps out – Skellig. I know Skellig. It’s a song from a favorite 

