Well, we see how much time has passed since that last post … so this will be a bit brief, as time, even to blog, is sometimes hard to find. Among the things I particularly enjoyed about this June Conference were several workshops which enriched my life as a children’s book writer and illustrator and added to my knowledge of craft, inspiration and 
curiosity.
A workshop with the children’s book illustrator and author David Wiesner was terrific. He gave the opening keynote, but I also took a workshop with him titled “Reference Is Your Friend.” He’s a brilliant, phenomenally talented and very humble person, and listening to his process as he designs and works out his world-renowned books was fascinating. His recommendation for all the attendees if we would take away one thing? Draw from life.
A workshop by Donna Galanti on world-building was another favorite because no matter what type of novel we write, whether fantasy or one taking place in our town, we need to create a world for readers. Donna really broke it down, and also provided the rare handout so we could be listening to her presentation without our heads down scribbling notes frantically. She came up with so many useful points that I will refer to as I’m delving into my own novel.
There were more excellent ones, and one or two that were not so fabulous, but we only know by opening ourselves to the presentations and finding out what there is for us to learn. I’d also signed up for two one-on-one critiques for my WIP novel and another for a WIP picture book. One of these was outstanding and gave me some very good direction.
By the end of the first day of the conference, I didn’t see a soul who wasn’t looking a little wiped out, just from running from class to class and then to individual critiques and roundtables. Of course, I could go on. And on. But I’m going to stop here, with a suggestion for all of you who might be reading this and who are interested in writing and/or illustrating children’s books and not already a member of SCBWI.
Join. Join a whole bunch of other talented, dedicated people who want to reach out to children with amazing ideas and stories and visions. Join an organization whose sole existence is to provide everything you’d want to know and more about how to become a writer or illustrator for children. Become familiar with your local branch of SCBWI and see what they have to offer. In New Jersey, we have the annual June Conference, but also some smaller events during the year. You can learn more here on the SCBWI site and check out the chapter nearest you while you’re there.
Maybe I’ll see you at the conference!
The good news is that one agent confirmed my story is unique and not on the market, and she really liked the concept. The not-surprising news is I have a lot of work ahead of me, as in, now I have to write the rest of the book! This agent really paid attention when looking at my synopsis and the first 15 pages of my manuscript, and offered solid advice. I also came armed with lots of questions, and the ensuing discussion helped to highlight areas I need to focus on, existing concepts I might change to improve it, etc. So for that critique alone, the conference was worth it.
lovely 
she lives in today … Full of lovingly drawn characters and vividly described places, A Good Home takes the reader through deeply moving stories of marriage, children, the death of parents, and an accident that takes its high-flying author down a humbling notch.”
Not to mention, I am still living in the world of Anthony Doerr, Pulitzer Prize winning author of All the Light We Cannot See. Yesterday, before I closed-up shop for the day on my work, I read a bit online about him and his other books, and watched a video of how he came to write this phenomenal book. I also looked at photographs of Saint Malo, the walled city on the coast of Brittany, bombed practically beyond recognition at the end of World War II, and an important location for much of the story. Doerr wanted to write a different tale about the war, and much like the outstanding author of The Book Thief, Markus Zusak, he certainly has done that. I am at times brought to tears at the beauty of Doerr’s use of words, and am moved by the story he tells.
Still A Dreamer 