After the Writing Conference …

The first thing to happen is your brain starts to slowly disintegrate on the way home. Once in the door, you need to tend to anything that needs tending to because your body is following close behind and is not going to be in an upright position too much longer. From stress? Nope – from the incredible rush of attending a two-day conference for writers and illustrators of children’s books. It’s exhausting alright, but in a good way.

Each June my New Jersey chapter of the SCBWI (Society of Children’s Book Writers and Illustrators) holds its big event. There are workshops, round tables, one-on-one critiques, a juried art show, portfolio display, keynote speeches, and more. This year, in choosing my workshops I focused entirely on writing in picture books. Other years, I have mixed things up and taken workshops in middle grade and young adult writing, picture book illustration, marketing/social media, and more. There were some truly fabulous speakers this year who inspired me and will keep me thinking long after the conference.

A highlight of the NJ event for many attendees is the availability of having one-on-one critiques, something not offered at all SCBWI (or other writing) conferences, and I picked very well this year. The picture book I submitted seemed a very good fit for Charlesbridge Publishing, and my mentor was outstanding – knowledgeable, insightful, and beyond helpful. Did I mention thorough? Yes, very thorough. A good editor or agent really knows how to show you where you need improvement without destroying your soul, acknowledge all the things that are right with your manuscript, and point out directions that will help you make your story perfect. And that I got.

The big challenge after a conference like this, for me, anyway, is to keep the momentum and all that excitement going because Monday morning rolls around pretty quickly and I am back at my desk writing and designing for everyone else, i.e., my clients. However, one of the first things I did Monday was to hit the library. I was picking up an adult novel I’d requested on inter-library loan, Before We Were Yours, and also a number of picture books that had been recommended by my mentor and other workshop leaders along the way. I also requested a few more from our main library. (As I did not take any photos of the event, I have included a handful of those books here.) I plan to read them over the next couple days for both enjoyment and to understand what makes them really good picture books. There is always much to learn.

Over the next few days I will revisit the MS I submitted and all my mentor’s notes and look to see how I can make my story shine yet brighter. For all the praise she gave me for this picture book, and there was plenty, it wasn’t enough – at least not yet – to be the one Charlesbridge wants to publish. Not yet.

 

Catching Up …

Life sometimes pulls us in one direction … then another … then another. Grabs us by the collar and says, “You need to take care of this, but be sure you do this, oh! and this!” The end result is we writers look quite absent from our blogs from time to time. But be assured, this writer is still here, just pulled in all those directions.

There’s been a boatload of work, which, as a freelancer, I will never complain about; preparation for my being a guest speaker at an Animal Writers Workshop (you can check that out here); preparation for the annual SCBWI (Society of Children’s Book Writers and Illustrators) June Conference coming up in 2 weeks; the usual (un)expected running around for all manner of things, some pleasant, some less so; and, of course, reading! No matter what else is happening, I am always reading.

To this end, I’m going to catch you up on the wonderful books I’ve enjoyed.

After reading The Art of Racing in the Rain by Garth Stein it was clear that I wanted to read more from this great mind. I perused Goodreads and requested A Sudden Light from my library. What a magnificent book. I will officially now read anything this man writes. A Sudden Light is a story told in the first person by 14-year-old Trevor who travels with his father to the family’s Riddell House in Oregon. His parents’ marriage is in trouble, and this trip to meet his aunt and grandfather is to allegedly settle some financial issues, put the grandfather in a nursing home, and dispose of the house. The home’s exterior is constructed of huge trees, and was built by Elijah, Trevor’s timber baron great grandfather. Trevor soon finds they are not alone in the house; there is a ghost, who has remained to see that Elijah’s last wishes be carried out, that the property be returned to a natural state as amends for the desecration he caused to the land. Somehow Stein has managed to put together an historical novel, a compelling ghost story, a tale of multi-generational conflicts and family secrets against a backdrop of the Pacific Northwest. Read more here and scroll down and visit The North Estate. Be sure not to read any spoilers!

Following this, I read The Immortalists by Chloe Benjamin, a novel (her first) with a most unusual premise. Four children, brothers and sisters edging into adolescence, hot and bored in the Lower East Side summer of 1969, decide to visit a gypsy fortune teller who is said to be able to give you the exact day you will die. The kids do it on a lark, just for something to do. The eldest brags about how far in the future her date is; she’ll live to a ripe old age. Another sibling shares, but the two others are clearly shaken and will not reveal their dates. It’s all just a joke anyway, right? The following chapters follow the life of each child, as the reader, in suspended animation, follows the sibling’s choices leading up to the possible fulfillment of their individual prophecies. Warm, engrossing, a fascinating premise, and very well-written.

I then read the next in the Inspector Armand Gamache mystery series by Louise Penny. I never thought I’d be interested in reading a series by anyone (at least not after my beloved Nancy Drew mysteries from my childhood) but Louise Penny changed my mind. Inspired by a post by fellow blogger Cynthia Reyes, I picked up a couple of Penny’s books from my local library and was very impressed. So much so, in fact, that I decided to read the entire series from the beginning (not one right after the other, but interspersed among other reading.) What a great decision! Penny is an excellent writer who knows how to hook you from beginning to end. With a cast of characters that one becomes more attached to with each book, mysteries unfold to be solved by Chief Inspector Armand  Gamache of the Surété of Quebec, the premiere investigative arm of homicide in that province. The Brutal Telling is book #5 and calls upon Gamache to solve the murder of an unknown individual whose cabin is buried in the woods surrounding the quaint village of Three Pines. The evidence points to a seemingly unlikely character, which can only leave the reader quite puzzled. Are they  really capable of murder? The book ends with that individual’s arrest, and we are left wondering.

The next book in the series, Bury Your Dead, is considered a companion to this one, so I elected to read it right after, and it does pick up quite literally where The Brutal Telling ended. What is engaging about Penny’s writing is that she is not just writing simple mysteries, but increasingly complex novels which explore Canadian culture and history from Vancouver to Quebec’s founder, Samuel de Champlain, to revered artists. Her characters grow realistically and empathically, and it’s very easy to become involved in their lives and the small town of Three Pines. If you like an absorbing mystery that will also give you a little more to sink your teeth into, look into this series. I suggest you start with the first in the series, A Still Life. There is a growing richness with each subsequent novel, and Penny will always keep you guessing until the end. Oh! And another small perk – whenever characters are eating, Penny always takes a moment to describe the deliciousness of their food. It’s a tantalizing little diversion each time.

I took a turn into another age group after this and read Crenshaw, a middle grade novel by Kathlerine Applegate, the author of a book I love (and own), The One and Only Ivan, an absolutely wonderful read. This story is about Jackson, a young teenage boy, and his family whose financial situation has changed from precarious to dire with them being forced to live in their minivan. Again. The story touches on an important subject, homelessness and the challenges faced by those who may be barely getting by. But there is another important character – Crenshaw himself, a very large cat. Crenshaw is Jackson’s imaginary friend from when he was a little boy, returned to be supportive of Jackson in his time of need … whether Jackson wants him there or not. Needless to say, this lends itself to moments of humor, but at its heart, this story is about resilience, friendship, and how we survive tough times. It was a good read, but for some reason, didn’t grab me the same way Ivan did. I’d still recommend it to the middle grade readers you know because we are all always facing some challenge or other, and this age group will appreciate Jackson and Crenshaw’s approach to a problem more common than most think.

I’m now reading Flight Behavior by Barbara Kingsolver, another terrific writer. I have read at least four of her other novels, The Poisonwood Bible being a permanent resident on a particular bookcase reserved for those books that I would definitely read again. Hopefully, I’ll be able to tell you about Flight Behavior somewhere in the vague timeframe of when I finish it.

Whether you are inspired by the stories mentioned above or are on a book path of your own, I will always wish you … Happy Reading!

 

 

Those Who Save Us

The jury is still out on this one. There were several points along the way in reading Those Who Save Us that I felt I could have put the book down and it would have been OK. Yet I didn’t. It’s not a case that it wasn’t a worthwhile book, but there was something about it that did not pull me in and engage me as I would have liked. As a writer, Blum has an excellent command of the language. You kind of knew where the book was heading – or at least, you hoped it was – but my total investment wasn’t there. Why not?

For one thing, I don’t think Blum made me love her characters enough. Trudy, the daughter, lives a rather empty life emotionally. I understand why, but I still wanted more from her. Same with Anna, the mother. I certainly understand why she became stoic and blocked emotion, but how do you write about two such characters and still make us care? Anna went through some excruciating experiences; I should have loved her deeply. I also didn’t feel the story building with the kind of momentum that I felt it could have to a real climax.

The novel is told in alternating groups of chapters about Anna and her past and Trudy in the present. Blum weaves them together to bring Anna into the current time in Trudy’s life. The story begins in Weimar, Germany in late 1939 when the Nazis had taken control of the city and started taking Jews. Anna is a girl of eighteen, living a very comfortable life with her widowed father, who is cold, demanding, and solicitous of the Nazis’ favorable opinion. Her father’s dog becomes ill, and Anna, fearful of making the journey to the German vet across town, takes the dog to the closer veterinarian who is Jewish. The two take a liking to each other despite an age difference, and she ends up hiding Max in her large and elegant home, practically under her father’s nose. They fall in love, she conceives his child, but comes home one day to find him gone. The father has suspected and turned him in, at which point, Anna leaves home.

Hoping for some word of Max, Anna remains in Weimar, hidden by a baker, Frau Mathilde Staudt, who helps the Resistance.  There, Anna gives birth. In making a secret run to hide bread in the forest for the starving prisoners, Anna is spotted by the Obersturmführer, Horst. To save her life and that of her daughter, she complies with the SS Officer who demands an often cruel sexual relationship with her.

In the current day, Trudy is a college professor of German history. Following the burial of Anna’s American husband, Trudy is putting her mother in a nursing home after a fire in Anna’s house, its source being suspicious. In picking up her mother’s belongings, Trudy finds what appears to be a gold cigarette case with a swastika on the front, and inside, a photograph of the Obersturmführer with her mother seated in front, Trudy on her lap. Trudy has always been angry with her mother’s refusal to tell her about her early childhood in Germany, but now believes her father was a Nazi. In her search for some sort of enlightenment, Trudy decides to do a special project interviewing Germans who lived through this time, and recording their views of the Holocaust in retrospect. She is shocked by the answers she hears, but also meets more than one person who will impact both her and her mother’s lives.

The story continues, weaving the lives of mother and daughter together, past to present. Despite the forward momentum of these intertwined stories coming to a resolution, I didn’t find myself on what could have been a taut and gripping journey. And yet, I never stopped reading. So the jury is out.

If nothing else, this book is a reminder of how we, who have grown up in the free world, unscathed by events such as those in World War II, can never begin to understand the torture, horror, and pain of those who lived, died, and witnessed the Holocaust. In that regard, the book never fails to be both brutally honest and a cautionary tale of what may lie beneath the surface of even the well-intentioned.

The Queen of the Night

How many times have you finished a book, and it was so good that you wanted to go back to the beginning and read it again? I’ve felt that way; I think we all have. But how many times have you actually done it? I’m guessing you haven’t, and until now, neither have I. Until I read The Queen of the Night by Alexander Chee.

This is an amazing historical novel, written in first person by a young woman, who, at the opening of the book, is making her entrance at the Sénat Bal in Paris, autumn of 1882. She is “La Genérale”,  Lilliet Berne, famed opera singer and a falcon soprano. She is approached by a novelist who dares to get her attention, and asks her to listen to his proposition – a story he has in his possession, to which a score will be written by a promising composer, an original role created just for her. Such a thing is the apex of an opera’s singer career. And then Lilliet hears how much of the story is her own past life, which, if it came to light, would destroy her career. So few know her past; who would want to see her fall? And so begins our story.

We return to Lilliet’s beginnings in the then free-state of Minnesota in 1866, sixteen years old, when she loses her entire family to scarlet fever. Alone and practically penniless, she decides to cross the country, and then the ocean, to find her mother’s only sister in Switzerland. The ensuing story unfolds in endless twists and turns of Lilliet’s trying to survive, becoming a circus equestrienne, a courtesan, later purchased by the tenor, the keeper of the empresses’s furs, and an opera singer. This all takes place largely in Paris during and after the reign of Emperor Louis Napoleon III and Empress Eugénie.

The Queen of the Night is a very complex novel. There is subterfuge, characters using each other and being used, and many unexpected betrayals. Set against the backdrop of an opulent Paris as well as the utter desolation after the Prussian attack, there is also opera, loyalty, friendship, devotion, and most importantly, love. One might say that this is a love story, but truly, it is so much more. When I decided to reread this book, I was initially aware it was because there was so much going on, that I knew I had missed certain things, and I needed to feel that I really understood everything.

But as I approach the final chapters this second time, I know that a major attraction for me is Lilliet Berne herself. I found Lilliet to be an amazing heroine, who fights to stay alive, to try to be whatever it is she is born to be, despite not knowing at all what that might be for so long. She starts our story as an orphaned girl of sixteen, and ends … well, I can’t really tell you that. I can say that this is a demanding book, not one to be read when you’re tired or distracted, because I guarantee, you will miss something critical. But it is also one you cannot put down. Alexander Chee is highly successful in writing a story with fine attention to rich historical detail, and also for creating characters who will live in your imagination between each reading and after.

Promoting Reading for Women

That’s not what we usually see, is it? More often we find articles about engendering the love of reading in kids.

So I was pretty impressed to find in the September 2017 issue of Family Circle an article about the importance of reading for pleasure. I assume that many of you reading this blog, as writers, are already immersed in a regular reading habit, but this short article with “how-to” tips addresses how we, as women, are pulled in so many directions that we often let reading slide. And it’s true; an inordinate involvement with our phones, TV, internet – not to mention the real-life issues of our families and work – can leave us feeling we have no time to read.

But a Yale linguistics professor, Kenneth Pugh, mentions the importance of reading for pleasure as highly important for our emotional health as well as strengthening our creativity. Tips on how to get back into reading include never leaving home without a book; literally penciling in time in our daily schedule for reading; swapping a chunk of our TV addiction for reading time; keeping a book on our nightstand, etc.

For anyone not sure of how to get back into reading, the article suggested as number one – your local librarian. Librarians are a fantastic source of knowledge of the books on their shelves and with a few questions, can have you in a book you love in no time. A good local bookseller can do the same. In addition, they recommended the New York Times Best Seller list, Goodreads.com, or 2017 Popsugar Reading Challenge. What I loved most about seeing this article is that Family Circle is a magazine with a huge circulation of about 17, 560 readers that reaches a very mainstream audience.

Reading – and reading for pleasure – is important. I find myself concerned about all these moms glued to their phones. What kind of inspiration is that for their children? I’m hoping that a family-oriented magazine like this one will inspire more than a few women to reconsider their habits and pick up a book – for themselves, and also to read to their kids.