Writing What We Know

This started out to be about three aspects of writing what we know, but I see that it would be a ridiculously long post. So I’ll divvy it up and start with a fairly recent example. I received a lovely personal response from an editor at one of the publishing houses represented at an NJ SCBWI event. I am very appreciative to receive such a thoughtful and detailed reply, although, of course, I wish it were better news. She complimented me on tackling a difficult subject, but found it a bit melancholy and added that quiet stories were not selling much in the picture book market these days. Happily, she was also very encouraging about my writing and my pursuing it.

Simon's Secret Illustration by JeanneBalsamThis is where writing what we know comes in. What I know – one of the things, anyway – is about animals and their ability to affect us profoundly, both personally and through literature and imagery. This particular picture book story has a wonderful magical element to it and healing on several levels. While I don’t see it as melancholy, it still behooves me to pay attention to the perception and opinion of one who lives and breathes children’s books. But what stops me is the “quiet story” part.

I like quiet stories. I like funny stories, too, but I also like something that touches the heart and soul in some way, something that’s real, that’s a reflection of what children go through in their young lives. I get that kids like funny and action-filled, but what about the other aspects of a child? Are we no longer looking to feed that as well? Are our increasingly fast-paced and digital lives crushing the inner lives of picture-book age kids? (OK, maybe that’s extreme, but then again …)

As writers, we certainly need to be aware of the trends in the industry and what the market is looking for, otherwise we can be twirling about in our own stew of ideas that will never get published. At the same time, we need to consider what “writing what we know,” (the advice we are always given by editors and agents), actually means and where it fits in what’s being published.  It’s a challenge to all of us. So I look at the body of work I have to date. Maybe it’s time to let some of my stories go; maybe I haven’t sent them out often enough and/or to the right publisher/agent who will appreciate a particular “quiet story.”

So where does the rubber hit the road? Where do writing what we know and what’s being published intersect?

 

Letting Stuff Go

Each year in my town, something wonderful happens – you can put anything you no longer want at the edge of your property and the town hauls it away for nothing! That day is this coming Saturday. And this morning it put me in a panic.

Last Saturday was the townwide yard sale where people tried to sell that same stuff. At the end of the day, some of it is taken inside and the rest is left there for the carrion pickers who start cruising the neighborhood in their pick-ups and vans. You can put anything out for those folk, but no items containing freon, electronics, and lead-based paint kind-of-stuff for the town pick-up. I’ve watched my neighbors put out bookshelves, office chairs, an air-conditioner, two small stools, and it’s already been picked up and gone.

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I took these this morning – so lovely.  (They are actually here just to break up the text — enjoy.) 

It’s a great deal, so why panic? I already knew what I was putting out – a bunch of items that are beyond ready to go – my ancient sewing machine, (yeah – from high school!), an equally ancient vacuum whose motor just won’t die, but ran out of intact attachments, a broken lawn chair – you get the idea. When I woke up, however, it was apparent that my mind had already been running amok with what else I should put out on the curb.

I started mentally racing from closet to closet, back down the basement – what WAS in those 2 large cardboard boxes? Did I really need that old heater? Back upstairs – my turntable died about 6 months ago – it could go, too. Was I going to replace it? If not, how many of those LP’s do I need to keep? And into the pantry – did I need those canisters on the top shelf? What about the indoor electric grill – I haven’t used it since I lived here … and suddenly it dawned on me. I could get rid of maybe 10% to 15% of my belongings and it would make no difference in my life.

Wow. I was blown away – what a concept. Then back into panic mode – how much of this stuff could I conceivably get on the street in time?

OK, whooooaaaaaaa. Slow down, Nellie. It doesn’t have to all go out this Saturday. Or ever. We can think about it.

On my own behalf, I’ll say none of this is new stuff that I just got tired of – it’s stuff that I’ve gathered and used over the years, some of which genuinely needs replacing, (like the sewing machine.) And to think, I have very little storage space – a tiny basement, no attic, and no garage. My home is neat, and clearly I’ve learned to maximize storage space.

It’s time for a change – I’m ready to start letting past parts of my life go, whether 3-dimensionally or maybe metaphorically. The not wanted, the not used, the not needed. I’m ready to feel lighter, and unbound by things and ideas which populated my past, and … someone will take it away for free.

My breathing has slowed – I’m feeling lighter already.

 

Baking Simple, Delicious and Vegan – Strawberry Oatmeal Bars

I won’t lie. Baking makes me feel good. Just thinking about baking actually makes me feel good … looking at yummy recipes, the photos that make me want to drop everything and run to the kitchen, considering the ingredients … all part of the process. (And I like to blog about baking!)

OBars-Ingredients2First, we gather the ingredients together. You might, (correctly), surmise that I collect recipes for eons, as this one, in a copy of Woman’s Day, carried a 2/3 page cigarette ad!  You won’t be finding
that in its recent history.

I committed to making a dessert for a volunteer picnic this Sunday for the local equine rescue I help. I wanted to also make something vegan, in keeping with my own direction, and also because when a bunch of people gather who are committed to the mission of rescuing horses, often from slaughter, (and becoming horse meat), there’s always a fair amount of vegetarians, and some vegans. I went searching OBars-Flour2through my recipes, and selected one without eggs and where I could easily replace the butter with Earth Balance vegan margarine. All other ingredients are vegan.

All you eagle-eyed bakers may have noticed something missing in that top photo – flour. NOW I have all the ingredients.

I’ve made this recipe before, but with butter and different flavors preserves. This time I also mixed it up and used brown sugar for half the sugar, as it’s such a natural with oats and cinnamon.This recipe is incredibly simple and whips up in no time.

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After mixing the margarine, flour, sugar, baking powder and oat mixture together, the next step is pressing the mixture into the bottom of the pan.

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Next, spreading the preserves to within a half inch of the edges.

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Sprinkle top with reserved crumb mixture and coconut.

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Voila – Done!

One of the things that is most difficult for me is the concept of baking vegan. I don’t have a problem with not eating meat. I know enough about what happens to animals, particularly in the factory farming system, to not want to participate in it. But eggs and dairy, particularly when it comes to baking? Now this is rough.

OBars-OnePiece2Established vegans say that once committed, you won’t miss the eggs and dairy in food. Maybe not in some food, but in baking … I don’t know. As I go through my many clipped recipes and cookbooks, I can envision making a vegan version of some, but others? Simply not possible. I am in a quandary.

But for today, I made something simple and vegan, which, of course, I had to taste to make sure it’s safe for consumption.

Because I have modified this recipe significantly, I am including it here, should you want something fast and easy, vegan or not, (just use butter.) Enjoy!

Strawberry Oatmeal Bars

3/4 C. butter or margarine
1-1/4 C. each rolled oats and flour
1/2 C. sugar I used half cane sugar, half brown sugar)
1-1/2 tsp. baking powder
2 tsp. cinnamon
1 C. strawberry preserves (or peach, apricot – anything seedless)
3/4 C. flaked coconut

In 13 x 9″ baking pan, melt butter while oven is heating to 350˚; cool.
Stir in oats, flour, sugar, baking powder and cinnamon until blended. It will be crumbly.
Reserve 1/2 c. crumb mixture.
Press firmly onto bottom of pan.
Spread preserves to within 1/2″ of edges.
Sprinkle with reserved crumb mixture tossed with coconut.
Bake on center rack for 25 minutes or until edges are lightly browned. Cool in pan on rack. Makes 36 bars. (per bar – 12 mg cholesterol with butter, 0 mg cholesterol with margarine.)

And now for me … back to the picture book I’m working on.

A House IS A Home

You’ve all heard that line from a song, “A house is not a home …”, and while that’s true in some ways, I beg to differ. A house is surely a home when you love where you live.

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As I’m crawling out from a week with way too much work, I’m contemplating cleaning off my wonderful deep porches, and getting together what it takes to sit out there, pot some plants, etc.. This reminds me of how lucky I’ve been that the houses I’ve lived in in this side of the state have all had fabulous porches, sometimes more than one. Then I drifted further in my continued wonder/curiosity that every place I’ve lived since I left home and left my college high-rise dorm has been in a specific time period, 1810 – 1920. So for those of you that love homes, I thought I might share some of my photographic, and other house-related, memories.

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The house you see here is the oldest I lived in. The front of the house, top photo, is 1810 and that was added on to the smaller part of the house built in 1742. The 1742 portion is now the dining room, and has another room above it, connected by a narrow circular staircase. It was once the home of the farm workers who worked for the gentleman farmer who lived across the road. In the photo just above, what looks like a large addition in the back is the original house. The small section in front with hedges was my entrance and housed a full kitchen, a full bath and a huge walk-in closet, (just to give you a sense of scale.) This was added on about 30 years ago by a woman who restored the house down to the last authentic detail of each period and added those modernizations.

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The dining room has original, unpainted wide-plank floors, a beamed ceiling and a walk-in stone fireplace with a bread oven and original wrought iron hooks to hold pots of cooking food and meat. When I was looking for my next place to live, I walked into this room, and knew this was it. It was so warm and cozy; I loved sitting in this room. The 1810 part of the house was built by the gentleman farmer and included two stories, a full attic and basement. He brought his family to live here after his home across the road had a fire. The 1810 portion included two large rooms in the front and the same above with another full bath. The main bedroom was approximately 18′ x 18′, and did I mention, every room had a fireplace, (all non-working, which was a good thing for me, as I know nothing about building fires, properly or otherwise.)

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I painted much of the house when I moved in, keeping more or less to what was there before, but a bit nicer. The bedroom had in it, left by the previous owner, this gorgeous replica antique rope bed which she had custom built. The cats loved playing underneath it, and it was quite an experience at first, sleeping that high up. This house, excepting the dining room, had wonderful 9′ ceilings throughout.

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Because it was a stone farmhouse, the walls were about 18″ thick and provided outstanding built-in space for cats to enjoy at every window. Above, dining room window with Claude.

If there were any drawbacks to this house, I’d say the heating system, which was forced air and left the house feeling cold again as soon as the heat went off, but on the flip-side, it felt like air-conditioning in the summer with  nothing more than a dehumidifier in the DR and an occasional fan. And then there were more than enough small creatures – centipedes the size of alligators and plenty of field mice. The centipedes were too big too kill, for me anyway, so they got used to being herded, and the mice? I had a humane mousetrap and plenty of farmland all around me where they could start a new life.

These were a small price to pay to live here – two porches,  deck on the back, a wide circular staircase in front and bright, airy rooms upstairs, cozy ones down. It was a great house, and indeed it was a home.

Stay tuned … we’ll soon be going forward to 1870.

“There is no place like home.”  – L. Frank Baum, The Wonderful Wizard of Oz