Seward Johnson Retrospective – Grounds for Sculpture IV

June 28, 2015June 28, 2015 / still a dreamer / 2 Comments

As promised, I will try, as time allows, to bring you some of the amazing works of the sculptor Seward Johnson. He is the founder of the Grounds for Sculpture Museum, which is largely outdoors, and in his 80’s, he continues to work today. A retrospective of his work has been on display for well over a year now, and I feel fortunate to have gotten to see the many pieces that will soon return to their homes around the world.

Just inside the Welcome Center is a large gallery of his works; all but two are based on famous paintings. Today’s post focuses on a few of the works inside the gallery.

What you see above is a 3-dimensional room created from Van Gogh’s painting, “Bedroom at Arles.” When you step inside the room, there are two shiny black footprints upon which to stand. I, (yeah, I know, shame on me), didn’t read any of the art notes provided, but obediently stood on the footprints anyway and photographed the installation. What I didn’t see until I got home, is that by taking the photo from that exact angle, the effect was that of the 3-D room being flattened to appear as Van Gogh’s painting.

To me, the genius of this sculpture is not just in Johnson’s usual accomplishment of turning a 2-D painting into a 3-D sculpture, but in then finding a way to reverse it back to 2-D. Above is a photo I took inside the room where you can see that the bed is made up with a real blanket, pillows and sheets.

Stepping back in time, we have Vermeer’s “Girl with A Pearl Earring.” Johnson sometimes uses a suspended real frame to perfectly surround the subject as he/she appeared in the original painting, while they sit in the proper pose.

In more than one example of his work, we see Johnson’s sense of humor, and his “Mona Lisa” installation is certainly one of them. Here she sits, nicely framed, as was our girl above. The guards you see below are, of course, part of the installation, but what about the other people in the photos?

Maybe not so much! What is truly enjoyable as you tour the grounds and this gallery and see his work, is that you are frequently left wondering, “Is that person real?” In a world where only a base under their feet can indicate that the people might not be live, it’s not always so easy to tell. Sometimes you do have to come pretty close to be sure.

Who knew the Mona Lisa offered photo ops? I can’t help but think Da Vinci would have been amused.

And who would have suspected that the Mona Lisa was a much more modern young lady than her rather serious portrait might indicate. Cheers to Seward Johnson! You put a smile on every person’s face that looked at this exhibit.

If these works appeal to you, I encourage you to go to Seward Johnson’s website where you can see all his works, often multiple views, and have a link to take you to the original painting upon which he based his sculpture.

More sometime soon …

Seward Johnson Retrospective at Grounds for Sculpture

June 5, 2014September 29, 2014 / still a dreamer

This piece is titled “Were You Invited?” and was inspired by Renoir’s “Luncheon of the Boating Party”

This brilliant sculptor is now having a major retrospective at the Grounds for Sculpture museum. Seward Johnson founded the non-profit museum whose doors opened in 1992. Johnson is known for his likenesses of famous figures as well as characters in well-known paintings from different eras, some of which are life-sized and some of which are truly of monumental size. He is also known for his sculptures representing people of all ages from all walks of life, including the boy bicycling in front of the post office in town to the couple looking up at the towering version of “American Gothic” by Grant Wood near the highway exit.

You may have stopped by and viewed some of his amazing sculptures in previous posts on my blog – you can start with Grounds for Sculpture III; the others are all linked. When my friends and I went to visit this 42 acre outdoor sculpture museum, there were so many examples of his work, and so many other wonderful sculptures as well, that I went into a picture-taking frenzy, and never found the time to get them all up. When we go again over the summer, I plan on just focusing on Johnson’s sculptures that I haven’t yet seen or photographed, including the 26′ tall Marilyn Monroe, titled “Forever Marilyn.”

The retrospective will be on view from May 4, 2014 through September 21, and if you are anywhere within traveling distance and can make it to the Grounds for Sculpture, I promise you will not be disappointed in Johnson’s amazing work or the collection of sculpture on the whole. Read more here about the exhibit, and more here on his own website. I can’t wait to go!

UPDATE: By popular demand, the Seward Johnson Retrospective‘s stay has been extended and will be available through July 2015!

Grounds for Sculpture – III

May 31, 2013June 13, 2013 / still a dreamer / 2 Comments

In this third post on the Grounds for Sculpture you will see sculptures inspired by famous Impressionist paintings, and all are by one sculptor, Seward Johnson. As Impressionism is my favorite period of painting, I was beyond enamored while at the Grounds by each and every one. I also discovered, in perusing Seward Johnson’s website, that sculptures I have already included in previous posts are by him as well.

Entitled “A Thought to Consider,” this sculpture was inspired by Manet’s “In the Wintergarden.”

Johnson is 83 years old, and to say he is prolific is an understatement. His sculptures cover far more than those inspired by paintings, but giant sculptures of people, (see “American Gothic” in an earlier post), and people engaged in everyday activities. If you really want to see the amazing scope of his work, go visit his website.

Meanwhile, enjoy an initial selection of some I photographed.

“Sailing the Seine” was created after Manet’s “Argenteuil.”

Seward named this “Pondering the Benefits of Exercise” inspired by Renoir’s “The Rowers’ Lunch.”

Based on Monet’s “Woman with A Parasol,” Seward named his sculpture “One Poppied Hill.” The woman and her child are indeed high on a hill. You might easily pass them by as you walk through the grounds if your eye had not already been trained to look everywhere as the sculptural gems are displayed in every manner and place imaginable.

Created 3-dimensionally after one of Monet’s most famous paintings, “Terrace at Sainte-Adresse,” Seward titled this “If It Were Time.” The two photos above are close-ups; to see the entire installation take a quick look here. (p.s. The child in the view immediately above is real.)

And who better to show than Monet himself painting the scene, discreetly obscured in nearby brush. Seward named this sculpture “Copyright Violation!”

This is really just a handful of sculptures by Seward Johnson. When I can I’ll share more of his and other sculptures at the Grounds.

Grounds for Sculpture I

Grounds for Sculpture II

Grounds for Sculpture – II

October 23, 2012June 13, 2013 / still a dreamer / 4 Comments

People … there are lots of people in the Grounds for Sculpture, and they’re not just patrons of the arts, but statuary in many different styles and materials. Here I’m featuring some random sculptures I particularly like. Let’s take a look at who’s in the garden … or on the way to the Grounds.

Something so enjoyable for me was the placement of sculptures all along the route from the highway exit right up to the admission gates. It’d be hard to get lost – just follow the sculpture! As you drive off the exit, there are two young people, pointing across the road …

And what they’re pointing at is a possibly 30′ tall sculpture of American Gothic, the famous painting, below.

What I found incredibly appealing is that there are life-size sculptures of people everywhere, presumably by the same artist. As you drive further towards the grounds, you see a dad helping his son learning to ride his bicycle in front of the town post office. And then as we walked the grounds …

We turned a corner and came upon this couple relaxing on the ground in some quiet shade. They, too, are sculptures, so lifelike it took a moment to be sure.

Tucked in a shady corner was a lovely bronze of a woman in the bath …

And along a path a more modern take of a person sitting …

As we approached the Grounds for Sculpture‘s restaurant, Rat’s, there was a pond to our left, with a sculpted head surrounded by mist, reflecting the slanted rays of afternoon sun.

As we walked further, we noticed another of the lifelike and life-size human sculptures, a woman bathing by the edge of a pond in the forest. The whole setting was just exquisite.

A close-up of the bather oblivious of all around her, also surrounded by soft mist.

The Grounds for Sculpture is its own world. What I also noticed is that every piece of art has lights in the ground at its base. I can only imagine how magical it must be here at night. Perhaps another trip back.

Next post … Renoir, Monet and more.

See Grounds for Sculpture I

Visit Grounds for Sculpture III

Grounds for Sculpture – I

October 16, 2012June 13, 2013 / still a dreamer / 3 Comments

For many years, I drove down Rt. 295 passing this huge red and blue abstract sculpture of two faces in the greenery off to the side and the exit sign for Grounds for Sculpture. And for many years, I vowed I would get there. Finally, I did.

This past Sunday, I had the pleasure of visiting this amazing sculpture museum – 40 acres plus indoor galleries – with two friends who’ve been before. It was impossible to see everything, but we took a circular kind of route to the right and saw many, many amazing works of art. I will present some of the photos I took in installments. Please know that the sculptures featured here represent my own personal tastes and interests and that the photo file names are also my own, not the formal names of the sculptures. I apologize to the artists that I have not included their names – if you would like more information, please visit the Grounds for Sculpture web site.

These two huge bulls were among our first sights as we left the parking lot and entered the grounds.

Another view

This sculpture of silver metal stands about 10 – 12 feet tall and was in the water garden. Clearly a king, he holds his robe with his right hand, (not visible in the photos I took), and looked to us like a Shakespearean character.

A closer view of his face.

This is another of the sculptures in the water garden section. Some were abstract, some literal, but all featured water below, through or around them. This sculpture reminded me of Alice, (or Wonderland), surely my own interpretation of the artist’s intention. What you see in this sculpture is a fine mist. Mist was utilized in numerous sculptural settings throughout the Grounds, always for an ethereal effect that I was very drawn to.

A view of this sculpture from the other side.

The landscaping of the Grounds was beyond amazing. The diversity of trees and shrubbery was fascinating, and often suited to the subject matter of the sculpture. Had there been no sculpture, I would have been perfectly happy to walk the Grounds as a botanical park in its own right. I’ve never seen a tree such as this … lovely.

Another example of how a sculpture was complemented by perfect placement in the greenery. This was a beautiful piece – trees, animals and people in harmony – a peaceable kingdom in three dimensions.

I will feature more in the future. It was quite an exciting visit and I did take lots of photos.

Visit Grounds for Sculpture II

Visit Grounds for Sculpture III