Still A Dreamer

For those of you who enjoyed the art of Seward Johnson in a previous post, I am sharing a bit more of the sculptures (mostly) inside the gallery. It seems almost everyone is familiar with the iconic figure of Marilyn Monroe taken over the air blast from a sewer grate. Johnson has done a fine job of Marilyn in this lovely tableau …

but many more people are actually familiar with his outdoor version of Marilyn …

And back to the gallery … perhaps one of the reasons I am drawn to Seward Johnson’s work is that we share something in common – our love of the Impressionist period of painting. Many of his sculptures based on famous paintings are inspired by artists of that time.

Johnson’s study above is based on “La Japonaise”, a painting by Monet, the model being Monet’s first wife.

He was also inspired by Mary Cassatt, an American-born artist, (Pennsylvania to be exact), who spent most of her adult life in France, where she soon befriended Edgar Dégas and exhibited with the Impressionists. Cassatt’s painting is “Young Girl at Window.”

Manet is another favorite of Seward Johnson, and there are tableaux of Manet’s paintings throughout the Grounds for Sculpture. Below is a small part of the installation based on Manet’s “Olympia.” My crop reflects what the entirety of Manet’s painting looked like.

 But Johnson took it one (huge) step further …

He created an entire room that one can walk into, such as he imagined this woman might have as her boudoir, historically correct to every detail, as are all the items she wears, right down to her shoes.

The last installation I’m featuring, which was actually the first room you walked into, was deeply touching to me, but I didn’t even realize its significance until I got home and looked at the photos I had taken.

There was a figure in the room just to the right of the sculpture, looking at it. As is often the case, we wondered if he was “real.” It soon became apparent he was not. Then we wondered about another figure a bit further away, who sat motionless on a museum bench. He was so still that it wasn’t until he flicked his finger to scroll down on his iPad that we realized he was not a part of the installation. Distracted by this, I somehow thought that this was a memorial to a soldier.

When I looked at my photos at home, I had no idea how I could have missed that this was a tribute to those who died on 9/11. It is a deeply moving piece, with the helmets of firemen, police and EMS workers, the fire hose, the flowers done in bronze and cement, the figure’s head bowed behind two plaques above and below our flag. The marble plaque below says “Im memory of all those who lost their lives.” The piece above, looking as if it were written on paper, has scrawled on it, “In memory of those who gave their lives to try and save so many.”

And then I saw the two shafts of light in the background where our twin towers once stood, and was overwhelmed with sadness yet again. Thank you for this piece, Mr. Johnson.